255 KiB
Modus themes for GNU Emacs
This manual, written by Protesilaos Stavrou, describes the customization
options for the modus-operandi
and modus-vivendi
themes, and provides
every other piece of information pertinent to them.
The documentation furnished herein corresponds to stable version {{{stable-version}}}, released on {{{release-date}}}. Any reference to a newer feature which does not yet form part of the latest tagged commit, is explicitly marked as such.
Current development target is {{{development-version}}}.
- Homepage: https://protesilaos.com/emacs/modus-themes.
- Git repository: https://git.sr.ht/~protesilaos/modus-themes.
- Mailing list: https://lists.sr.ht/~protesilaos/modus-themes.
- Backronym: My Old Display Unexpectedly Sharpened … themes
- COPYING
- Overview
- Installation
- Enable and load
- Customization Options
- Option for inhibiting theme reload
- Option for red-green color deficiency or deuteranopia
- Option for more bold constructs
- Option for more italic constructs
- Option for syntax highlighting
- Option for font mixing
- Option for links
- Option for box buttons
- Option for command prompt styles
- Option for mode line presentation
- Option for accented background in tab interfaces
- Option for completion framework aesthetics
- Option for mail citations
- Option for fringe visibility
- Option for language checkers
- Option for line highlighting
- Option for line numbers
- Option for mouseover effects
- Option for markup style in Org and others
- Option for parenthesis matching
- Option for active region
- Option for diff buffer looks
- Option for org-mode block styles
- Option for Org agenda constructs
- Option for the headings' overall style
- Option for variable-pitch font in UI elements
- Advanced customization
- More accurate colors in terminal emulators
- Range of color with terminal emulators
- Visualize the active Modus theme's palette
- Per-theme customization settings
- Case-by-case face specs using the themes' palette
- Face specs at scale using the themes' palette
- Remap face with local value
- Cycle through arbitrary colors
- Override colors
- Override color saturation
- Override colors through blending
- Override colors completely
- Font configurations for Org and others
- Configure bold and italic faces
- Custom Org todo keyword and priority faces
- Custom Org emphasis faces
- Update Org block delimiter fontification
- Measure color contrast
- Load theme depending on time of day
- Backdrop for pdf-tools
- Decrease mode line height
- Toggle themes without reloading them
- A theme-agnostic hook for theme loading
- Diffs with only the foreground
- Ediff without diff color-coding
- Near-monochrome syntax highlighting
- Custom hl-todo colors
- Add support for solaire-mode
- Face coverage
- Notes on individual packages
- Note on calendar.el weekday and weekend colors
- Note on git-gutter in Doom Emacs
- Note on php-mode multiline comments
- Note on underlines in compilation buffers
- Note on inline Latex in Org buffers
- Note on dimmer.el
- Note on display-fill-column-indicator-mode
- Note on highlight-parentheses.el
- Note on mmm-mode.el background colors
- Note on prism.el
- Note on god-mode.el
- Note on company-mode overlay pop-up
- Note on ERC escaped color sequences
- Note on powerline or spaceline
- Note on SHR colors
- Note on SHR fonts
- Note on Ement colors and fonts
- Note on Helm grep
- Note on pdf-tools link hints
- Note on the Notmuch logo
- Note on goto-address-mode faces
- Frequently Asked Questions
- Contributing
- Acknowledgements
- Other notes about the project
- GNU Free Documentation License
- Indices
COPYING
Copyright (C) 2020-2024 Free Software Foundation, Inc.
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, with the Front-Cover Texts being “A GNU Manual,” and with the Back-Cover Texts as in (a) below. A copy of the license is included in the section entitled “GNU Free Documentation License.”
(a) The FSF’s Back-Cover Text is: “You have the freedom to copy and modify this GNU manual.”
Overview
The Modus themes are designed for accessible readability. They conform with the highest standard for color contrast between any given combination of background and foreground values. This corresponds to the WCAG AAA standard, which specifies a minimum rate of distance in relative luminance of 7:1.
Modus Operandi (modus-operandi
) is a light theme, while Modus Vivendi
(modus-vivendi
) is dark. Each theme's color palette is designed to meet
the needs of the numerous interfaces that are possible in the Emacs
computing environment.
The overarching objective of this project is to always offer accessible color combinations. There shall never be a compromise on this principle. If there arises an inescapable trade-off between readability and stylistic considerations, we will always opt for the former.
To ensure that users have a consistently accessible experience, the themes strive to achieve as close to full face coverage as possible (Face coverage).
Furthermore, the themes are designed to empower users with red-green color deficiency (deuteranopia). This is achieved in three ways:
- The conformance with the highest legibility standard means that text is always readable no matter the perception of its hue.
- Most contexts use colors on the blue-cyan-magenta-purple side of the spectrum. Put differently, green and/or red are seldom used, thus minimizing the potential for confusion. Why are colors mostly variants of blue, magenta, cyan?.
- In contexts where a red/green color-coding is unavoidable, we provide a universal toggle to customize the themes so that a red/blue scheme is used instead. Option for red-green color deficiency or deuteranopia.
Starting with version 0.12.0 and onwards, the themes are built into GNU Emacs.
How do the themes look like
Check the web page with the screen shots. There are lots of scenarios on display that draw attention to details and important aspects in the design of the themes. They also showcase the numerous customization options.
Learn about the latest changes
Please refer to the web page with the change log. It is comprehensive and covers everything that goes into every tagged release of the themes.
Installation
The Modus themes are distributed with Emacs starting with version 28.1. On older versions of Emacs, they can be installed using Emacs' package manager or manually from their code repository. There also exist packages for distributions of GNU/Linux.
Install manually from source
In the following example, we are assuming that your Emacs files are
stored in ~/.emacs.d
and that you want to place the Modus themes in
~/.emacs.d/modus-themes
.
- Get the source and store it in the desired path by running the following in the command line shell:
$ git clone https://gitlab.com/protesilaos/modus-themes.git ~/.emacs.d/modus-themes
- Add that path to your known Elisp libraries' list, by placing this
snippet of Emacs Lisp in your init file (e.g.
init.el
):
(add-to-list 'load-path "~/.emacs.d/modus-themes")
The themes are now ready to be used: Enable and load.
Install from the archives
The modus-themes
package is available from the GNU ELPA archive, which
is configured by default.
Prior to querying any package archive, make sure to update the index, with
M-x package-refresh-contents
. Then all you need to do is typeM-x package-install
and specify themodus-themes
.
Once installed, the themes are ready to be used: Enable and load.
Install on GNU/Linux
The themes are also available from the archives of some distributions of GNU/Linux. These should correspond to a tagged release rather than building directly from the latest Git commit. It all depends on the distro's packaging policies.
Debian 11 Bullseye
The themes are part of Debian 11 Bullseye. Get them with:
sudo apt install elpa-modus-themes
They are now ready to be used: Enable and load.
NOTE that Debian's package is severely out-of-date as of this writing 2022-07-24 09:57 +0300.
GNU Guix
Users of Guix can get the themes with this command:
guix package -i emacs-modus-themes
They are now ready to be used: Enable and load.
Dealing with byte compilation errors
From time to time, we receive bug reports pertaining to errors with byte
compilation. These seldom have to do with faulty code in the themes: it
might be a shortcoming of package.el
, some regression in the current
development target of Emacs, a misconfiguration in an otherwise exotic
setup, and the like.
The common solution with a stable version of Emacs is to:
- Delete the
modus-themes
package. - Close the current Emacs session.
- Install the
modus-themes
again.
For those building Emacs directly from source, the solution may involve reverting to an earlier commit in emacs.git.
At any rate, if you encounter such an issue please report it: we will either fix the bug on our end if it is truly ours, or help forward it to the relevant upstream maintainer. Whatever you do, please understand that a build failure does not mean we are necessarily doing something wrong.
Enable and load
Users of the built-in themes cannot require
the package as usual
because there is no package to speak of. Instead, things are simpler as
all one needs is to load the theme of their preference by adding either
form to their init file:
(load-theme 'modus-operandi) ; Light theme
(load-theme 'modus-vivendi) ; Dark theme
Users of packaged variants of the themes must add a few more lines to ensure that everything works as intended. First, one has to require the main library before loading either theme:
(require 'modus-themes)
Then it is recommended to load the individual theme files with the
helper function modus-themes-load-themes
:
;; Load the theme files before enabling a theme (else you get an error).
(modus-themes-load-themes)
Once the libraries that define the themes are enabled, one can activate a theme with either of the following expressions:
(modus-themes-load-operandi) ; Light theme
;; OR
(modus-themes-load-vivendi) ; Dark theme
Changes to the available customization options must always be evaluated before loading a theme (Customization Options). An exception to this norm is when using the various Custom interfaces or with commands like
M-x customize-set-variable
, which can optionally automatically reload the theme (Option for inhibiting theme reload).This is how a basic setup could look like:
;;; For the built-in themes which cannot use `require':
;; Add all your customizations prior to loading the themes
(setq modus-themes-italic-constructs t
modus-themes-bold-constructs nil
modus-themes-region '(bg-only no-extend))
;; Load the theme of your choice:
(load-theme 'modus-operandi) ;; OR (load-theme 'modus-vivendi)
(define-key global-map (kbd "<f5>") #'modus-themes-toggle)
;;; For packaged versions which must use `require':
(require 'modus-themes)
;; Add all your customizations prior to loading the themes
(setq modus-themes-italic-constructs t
modus-themes-bold-constructs nil
modus-themes-region '(bg-only no-extend))
;; Load the theme files before enabling a theme
(modus-themes-load-themes)
;; Load the theme of your choice:
(modus-themes-load-operandi) ;; OR (modus-themes-load-vivendi)
(define-key global-map (kbd "<f5>") #'modus-themes-toggle)
Sample configuration with and without use-package.
With those granted, bear in mind a couple of technical points on
modus-themes-load-operandi
and modus-themes-load-vivendi
, as well as
modus-themes-toggle
which relies on them:
- Those functions call
load-theme
. Some users prefer to opt forenable-theme
instead (Differences between loading and enabling). - The functions will run the
modus-themes-after-load-theme-hook
as their final step. This can be employed for bespoke configurations (Advanced customization). Experienced users may not wish to rely on such a hook and the functions that run it: they may prefer a custom solution (A theme-agnostic hook for theme loading).
Sample configuration with and without use-package
It is common for Emacs users to rely on use-package
for declaring
package configurations in their setup. We use this as an example:
;;; For the built-in themes which cannot use `require':
(use-package emacs
:init
;; Add all your customizations prior to loading the themes
(setq modus-themes-italic-constructs t
modus-themes-bold-constructs nil
modus-themes-region '(bg-only no-extend))
:config
;; Load the theme of your choice:
(load-theme 'modus-operandi) ;; OR (load-theme 'modus-vivendi)
:bind ("<f5>" . modus-themes-toggle))
;;; For packaged versions which must use `require':
(use-package modus-themes
:ensure
:init
;; Add all your customizations prior to loading the themes
(setq modus-themes-italic-constructs t
modus-themes-bold-constructs nil
modus-themes-region '(bg-only no-extend))
;; Load the theme files before enabling a theme
(modus-themes-load-themes)
:config
;; Load the theme of your choice:
(modus-themes-load-operandi) ;; OR (modus-themes-load-vivendi)
:bind ("<f5>" . modus-themes-toggle))
The same without use-package
:
;;; For the built-in themes which cannot use `require':
;; Add all your customizations prior to loading the themes
(setq modus-themes-italic-constructs t
modus-themes-bold-constructs nil
modus-themes-region '(bg-only no-extend))
;; Load the theme of your choice:
(load-theme 'modus-operandi) ;; OR (load-theme 'modus-vivendi)
(define-key global-map (kbd "<f5>") #'modus-themes-toggle)
;;; For packaged versions which must use `require':
(require 'modus-themes)
;; Add all your customizations prior to loading the themes
(setq modus-themes-italic-constructs t
modus-themes-bold-constructs nil
modus-themes-region '(bg-only no-extend))
;; Load the theme files before enabling a theme
(modus-themes-load-themes)
;; Load the theme of your choice:
(modus-themes-load-operandi) ;; OR (modus-themes-load-vivendi)
(define-key global-map (kbd "<f5>") #'modus-themes-toggle)
Differences between loading and enabling.
Note: make sure not to customize the variable custom-theme-load-path
or custom-theme-directory
after the themes' package declaration. That
will lead to failures in loading the files. If either or both of those
variables need to be changed, their values should be defined before the
package declaration of the themes.
Differences between loading and enabling
The reason we recommend load-theme
instead of the other option of
enable-theme
is that the former does a kind of "reset" on the face
specs. It quite literally loads (or reloads) the theme. Whereas the
latter simply puts an already loaded theme at the top of the list of
enabled items, re-using whatever state was last loaded.
As such, load-theme
reads all customizations that may happen during
any given Emacs session: even after the initial setup of a theme.
Examples are calls to custom-set-faces
, as well as new values assigned
to the options the Modus themes provide (Customization Options).
Our tests show that enable-theme
does not read such variables anew, so
it might appear to the unsuspecting user that the themes are somehow
broken whenever they try to assign a new value to a customization option
or some face.
This "reset" that load-theme
brings about does, however, come at the
cost of being somewhat slower than enable-theme
. Users who have a
stable setup and who seldom update their variables during a given Emacs
session, are better off using something like this:
(require 'modus-themes)
(load-theme 'modus-operandi t t)
(load-theme 'modus-vivendi t t)
(enable-theme 'modus-operandi) ;; OR (enable-theme 'modus-vivendi)
Toggle themes without reloading them.
Sample configuration with and without use-package.
With the above granted, other sections of the manual discuss how to
configure custom faces, where load-theme
is expected, though
enable-theme
could still apply in stable setups:
Customization Options
The Modus themes are highly configurable, though they should work well without any further tweaks. By default, all customization options are set to nil, unless otherwise noted in this manual.
Remember that all customization options must be evaluated before loading a theme (Enable and load). If the theme is already active, it must be reloaded for changes in user options to come into force.
Below is a summary of what you will learn in the subsequent sections of this manual.
(setq modus-themes-italic-constructs t
modus-themes-bold-constructs nil
modus-themes-mixed-fonts nil
modus-themes-subtle-line-numbers nil
modus-themes-intense-mouseovers nil
modus-themes-deuteranopia t
modus-themes-tabs-accented t
modus-themes-variable-pitch-ui nil
modus-themes-inhibit-reload t ; only applies to `customize-set-variable' and related
modus-themes-fringes nil ; {nil,'subtle,'intense}
;; Options for `modus-themes-lang-checkers' are either nil (the
;; default), or a list of properties that may include any of those
;; symbols: `straight-underline', `text-also', `background',
;; `intense' OR `faint'.
modus-themes-lang-checkers nil
;; Options for `modus-themes-mode-line' are either nil, or a list
;; that can combine any of `3d' OR `moody', `borderless',
;; `accented', a natural number for extra padding (or a cons cell
;; of padding and NATNUM), and a floating point for the height of
;; the text relative to the base font size (or a cons cell of
;; height and FLOAT)
modus-themes-mode-line '(accented borderless (padding . 4) (height . 0.9))
;; Same as above:
;; modus-themes-mode-line '(accented borderless 4 0.9)
;; Options for `modus-themes-markup' are either nil, or a list
;; that can combine any of `bold', `italic', `background',
;; `intense'.
modus-themes-markup '(background italic)
;; Options for `modus-themes-syntax' are either nil (the default),
;; or a list of properties that may include any of those symbols:
;; `faint', `yellow-comments', `green-strings', `alt-syntax'
modus-themes-syntax nil
;; Options for `modus-themes-hl-line' are either nil (the default),
;; or a list of properties that may include any of those symbols:
;; `accented', `underline', `intense'
modus-themes-hl-line '(underline accented)
;; Options for `modus-themes-paren-match' are either nil (the
;; default), or a list of properties that may include any of those
;; symbols: `bold', `intense', `underline'
modus-themes-paren-match '(bold intense)
;; Options for `modus-themes-links' are either nil (the default),
;; or a list of properties that may include any of those symbols:
;; `neutral-underline' OR `no-underline', `faint' OR `no-color',
;; `bold', `italic', `background'
modus-themes-links '(neutral-underline background)
;; Options for `modus-themes-box-buttons' are either nil (the
;; default), or a list that can combine any of `flat', `accented',
;; `faint', `variable-pitch', `underline', `all-buttons', the
;; symbol of any font weight as listed in `modus-themes-weights',
;; and a floating point number (e.g. 0.9) for the height of the
;; button's text.
modus-themes-box-buttons '(variable-pitch flat faint 0.9)
;; Options for `modus-themes-prompts' are either nil (the
;; default), or a list of properties that may include any of those
;; symbols: `background', `bold', `gray', `intense', `italic'
modus-themes-prompts '(intense bold)
;; The `modus-themes-completions' is an alist that reads three
;; keys: `matches', `selection', `popup'. Each accepts a nil
;; value (or empty list) or a list of properties that can include
;; any of the following (for WEIGHT read further below):
;;
;; `matches' - `background', `intense', `underline', `italic', WEIGHT
;; `selection' - `accented', `intense', `underline', `italic', `text-also' WEIGHT
;; `popup' - same as `selected'
;; `t' - applies to any key not explicitly referenced (check docs)
;;
;; WEIGHT is a symbol such as `semibold', `light', or anything
;; covered in `modus-themes-weights'. Bold is used in the absence
;; of an explicit WEIGHT.
modus-themes-completions '((matches . (extrabold))
(selection . (semibold accented))
(popup . (accented intense)))
modus-themes-mail-citations nil ; {nil,'intense,'faint,'monochrome}
;; Options for `modus-themes-region' are either nil (the default),
;; or a list of properties that may include any of those symbols:
;; `no-extend', `bg-only', `accented'
modus-themes-region '(bg-only no-extend)
;; Options for `modus-themes-diffs': nil, 'desaturated, 'bg-only
modus-themes-diffs 'desaturated
modus-themes-org-blocks 'gray-background ; {nil,'gray-background,'tinted-background}
modus-themes-org-agenda ; this is an alist: read the manual or its doc string
'((header-block . (variable-pitch 1.3))
(header-date . (grayscale workaholic bold-today 1.1))
(event . (accented varied))
(scheduled . uniform)
(habit . traffic-light))
modus-themes-headings ; this is an alist: read the manual or its doc string
'((1 . (overline background variable-pitch 1.3))
(2 . (rainbow overline 1.1))
(t . (semibold))))
Option for inhibiting theme reload
Brief: Toggle reloading of the active theme when an option is changed through the Customize UI.
Symbol: modus-themes-inhibit-reload
(boolean
type)
Possible values:
nil
t
(default)
By default, customizing a theme-related user option through the Custom interfaces or with
M-x customize-set-variable
will not reload the currently active Modus theme.
Enable this behavior by setting this variable to nil
.
Regardless of this option, the active theme must be reloaded for changes to user options to take effect (Enable and load).
Option for red-green color deficiency or deuteranopia
Brief: When non-nil
use red/blue color-coding instead of red/green,
where appropriate.
Symbol: modus-themes-deuteranopia
(boolean
type)
Possible values:
nil
(default)t
This is to account for red-green color deficiency, also know as deuteranopia and variants. It applies to all contexts where there can be a color-coded distinction between failure or success, a to-do or done state, a mark for deletion versus a mark for selection (e.g. in Dired), current and lazily highlighted search matches, removed lines in diffs as opposed to added ones, and so on.
Note that this does not change all colors throughout the active theme, but only applies to cases that have color-coding significance. For example, regular code syntax highlighting is not affected. There is no such need because of the themes' overarching commitment to the highest legibility standard, which ensures that text is readable regardless of hue, as well as the predominance of colors on the blue-cyan-magenta-purple side of the spectrum.
Option for more bold constructs
Brief: Use bold for code syntax highlighting and related.
Symbol: modus-themes-bold-constructs
(boolean
type)
Possible values:
nil
(default)t
The default is to use a bold typographic weight only when it is required.
With a non-nil
value (t
) display several syntactic constructs in bold
weight. This concerns keywords and other important aspects of code
syntax. It also affects certain mode line indicators and command-line
prompts.
Advanced users may also want to configure the exact attributes of the
bold
face.
Option for more italic constructs
Brief: Use italics for code syntax highlighting and related.
Symbol: modus-themes-italic-constructs
(boolean
type)
Possible values:
nil
(default)t
The default is to not use slanted text forms (italics) unless it is absolutely necessary.
With a non-nil
value (t
) choose to render more faces in italics. This
typically affects documentation strings and code comments.
Advanced users may also want to configure the exact attributes of the
italic
face.
Option for syntax highlighting
Brief: Set the overall style of code syntax highlighting.
Symbol: modus-themes-syntax
(choice
type, list of properties)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
faint
yellow-comments
green-strings
alt-syntax
The default (a nil
value or an empty list) is to use a balanced
combination of colors on the cyan-blue-magenta side of the spectrum.
There is little to no use of greens, yellows, and reds. Comments are
gray, strings are blue colored, doc strings are a shade of cyan, while
color combinations are designed to avoid exaggerations.
The property faint
fades the saturation of all applicable colors, where
that is possible or appropriate.
The property yellow-comments
applies a yellow color to comments.
The property green-strings
applies a green color to strings and a green
tint to doc strings.
The property alt-syntax
changes the combination of colors beyond strings
and comments, so that the effective palette is broadened to provide
greater variety relative to the default.
Combinations of any of those properties are expressed as a list, like in these examples:
(faint)
(green-strings yellow-comments)
(alt-syntax green-strings yellow-comments)
(faint alt-syntax green-strings yellow-comments)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-syntax '(faint alt-syntax))
Independent of this variable, users may also control the use of a bold
weight or italic text: modus-themes-bold-constructs
and
modus-themes-italic-constructs
.
Option for font mixing
Brief: Toggle the use of monospaced fonts for spacing-sensitive constructs (affects font families).
Symbol: modus-themes-mixed-fonts
(boolean
type)
Possible values:
nil
(default)t
When set to non-nil
(t
), configure some spacing-sensitive faces like Org
tables and code blocks to always inherit from the fixed-pitch
face.
This is to ensure that certain constructs like code blocks and tables
remain monospaced even when users opt for a mode that remaps typeface
families, such as the built-in
M-x variable-pitch-mode
. Otherwise the layout would appear broken, due to how spacing is done.
For a consistent experience, user may need to specify the font family of
the fixed-pitch
face.
Font configurations for Org and others.
Furthermore, users may prefer to use another package for handling mixed
typeface configurations, rather than letting the theme do it, perhaps
because a purpose-specific package has extra functionality. Two
possible options are org-variable-pitch
and mixed-pitch
.
Option for links
Brief: Control the style of links to web pages, files, buffers…
Symbol: modus-themes-links
(choice
type, list of properties)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
-
Underline style:
neutral-underline
no-underline
-
Text coloration:
faint
no-color
bold
italic
background
The default (a nil
value or an empty list) is a prominent text color,
typically blue, with an underline of the same color.
For the style of the underline, a neutral-underline
property turns the
color of the line into a subtle gray, while the no-underline
property
removes the line altogether. If both of those are set, the latter takes
precedence.
For text coloration, a faint
property desaturates the color of the text
and the underline, unless the underline is affected by the
aforementioned properties. While a no-color
property removes the color
from the text. If both of those are set, the latter takes precedence.
A bold
property applies a heavy typographic weight to the text of the
link.
An italic
property adds a slant to the link's text (italic or oblique
forms, depending on the typeface).
A background
property applies a subtle tinted background color.
In case both no-underline
and no-color
are set, then a subtle gray
background is applied to all links. This can still be combined with the
bold
and italic
properties.
Combinations of any of those properties are expressed as a list, like in these examples:
(faint)
(no-underline faint)
(no-color no-underline bold)
(italic bold background no-color no-underline)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-links '(neutral-underline background))
The placement of the underline, meaning its proximity to the text, is
controlled by x-use-underline-position-properties
,
x-underline-at-descent-line
, underline-minimum-offset
. Please refer to
their documentation strings.
Option for box buttons
Brief: Control the style of buttons in the Custom UI and related.
Symbol: modus-themes-box-buttons
(choice
type, list of properties)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
flat
accented
faint
variable-pitch
underline
-
A font weight, which must be supported by the underlying typeface:
thin
ultralight
extralight
light
semilight
regular
medium
semibold
bold
heavy
extrabold
ultrabold
- A floating point as a height multiple of the default or a cons cell in
the form of
(height . FLOAT)
all-buttons
The default (a nil
value or an empty list) is a gray background
combined with a pseudo three-dimensional effect.
The flat
property makes the button two dimensional.
The accented
property changes the background from gray to an accent
color.
The faint
property reduces the overall coloration.
The variable-pitch
property applies a proportionately spaced typeface
to the button~s text.
Font configurations for Org and others.
The underline
property draws a line below the affected text and
removes whatever box effect. This is optimal when Emacs runs inside a
terminal emulator (More accurate colors in terminal emulators). If
flat
and underline
are defined together, the latter takes
precedence.
The symbol of a weight attribute adjusts the font of the button
accordingly, such as light
, semibold
, etc. Valid symbols are
defined in the variable modus-themes-weights
.
Configure bold and italic faces.
A number, expressed as a floating point (e.g. 0.9
), adjusts the height
of the button's text to that many times the base font size. The default
height is the same as 1.0
, though it need not be explicitly stated.
Instead of a floating point, an acceptable value can be in the form of a
cons cell like (height . FLOAT)
or (height FLOAT)
, where FLOAT is
the given number.
The all-buttons
property extends the box button effect (or the
aforementioned properties) to the faces of the generic widget library.
By default, those do not look like the buttons of the Custom UI as they
are ordinary text wrapped in square brackets.
Combinations of any of those properties are expressed as a list, like in these examples:
(flat)
(variable-pitch flat)
(variable-pitch flat semibold 0.9)
(variable-pitch flat semibold (height 0.9)) ; same as above
(variable-pitch flat semibold (height . 0.9)) ; same as above
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-box-buttons '(variable-pitch flat 0.9))
Option for command prompt styles
Brief: Control the style of command prompts (e.g. minibuffer, shell, IRC clients).
Symbol: modus-themes-prompts
(choice
type, list of properties)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
background
bold
gray
intense
italic
The default (a nil
value or an empty list) means to only use a subtle
accented foreground color.
The property background
applies a background color to the prompt's text.
By default, this is a subtle accented value.
The property intense
makes the foreground color more prominent. If the
background
property is also set, it amplifies the value of the
background as well.
The property gray
changes the prompt's colors to grayscale. This
affects the foreground and, if the background
property is also set, the
background. Its effect is subtle, unless it is combined with the
intense
property.
The property bold
makes the text use a bold typographic weight.
Similarly, italic
adds a slant to the font's forms (italic or oblique
forms, depending on the typeface).
Combinations of any of those properties are expressed as a list, like in these examples:
(intense)
(bold intense)
(intense bold gray)
(intense background gray bold)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-prompts '(background gray))
Option for mode line presentation
Brief: Control the style of the mode lines.
Symbol: modus-themes-mode-line
(choice
type, list of properties)
Possible values, which can be expressed as a list of combinations of box effect, color, and border visibility:
-
Overall style:
3d
moody
accented
borderless
- A natural number > 1 for extra padding or a cons cell in the form of
(padding . NATNUM)
. - A floating point to set the height of the mode line's text. It can
also be a cons cell in the form of
(height . FLOAT)
.
The default (a nil
value or an empty list) is a two-dimensional
rectangle with a border around it. The active and the inactive mode
lines use different shades of grayscale values for the background,
foreground, border.
The 3d
property applies a three-dimensional effect to the active mode
line. The inactive mode lines remain two-dimensional and are toned down
a bit, relative to the default style.
The moody
property optimizes the mode line for use with the library of
the same name (hereinafter referred to as 'Moody'). In practice, it
removes the box effect and replaces it with underline and overline
properties. It also tones down the inactive mode lines. Despite its
intended purpose, this option can also be used without the Moody library
(please consult the themes' manual on this point for more details). If
both 3d
and moody
properties are set, the latter takes precedence.
The borderless
property removes the color of the borders. It does not
actually remove the borders, but only makes their color the same as the
background, effectively creating some padding.
The accented
property ensures that the active mode line uses a colored
background instead of the standard shade of gray.
A positive integer (natural number or natnum) applies a padding effect
of NATNUM pixels at the boundaries of the mode lines. The default value
is 1 and does not need to be specified explicitly. The padding has no
effect when the moody
property is also used, because Moody already
applies its own tweaks. To ensure that the underline is placed at the
bottom of the mode line, set x-underline-at-descent-line
to non-nil
(this is not needed when the borderless
property is also set). For
users on Emacs 29, the x-use-underline-position-properties
variable must
also be set to nil.
The padding can also be expressed as a cons cell in the form of
(padding . NATNUM)
or (padding NATNUM)
where the key is constant and
NATNUM is the desired natural number.
A floating point applies an adjusted height to the mode line's text as a
multiple of the main font size. The default rate is 1.0 and does not
need to be specified. Apart from a floating point, the height may also
be expressed as a cons cell in the form of (height . FLOAT)
or
(height FLOAT)
where the key is constant and the FLOAT is the desired
number.
Combinations of any of those properties are expressed as a list, like in these examples:
(accented)
(borderless 3d)
(moody accented borderless)
Same as above, using the padding and height as an example (these all yield the same result):
(accented borderless 4 0.9)
(accented borderless (padding . 4) (height . 0.9))
(accented borderless (padding 4) (height 0.9))
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-mode-line '(borderless accented))
Note that Moody does not expose any faces that the themes could style
directly. Instead it re-purposes existing ones to render its tabs and
ribbons. As such, there may be cases where the contrast ratio falls
below the 7:1 target that the themes conform with (WCAG AAA). To hedge
against this, we configure a fallback foreground for the moody
property,
which will come into effect when the background of the mode line changes
to something less accessible, such as Moody ribbons (read the doc string
of set-face-attribute
, specifically :distant-foreground
). This fallback
is activated when Emacs determines that the background and foreground of
the given construct are too close to each other in terms of color
distance. In practice, users will need to experiment with the variable
face-near-same-color-threshold
to trigger the effect. We find that a
value of 45000
shall suffice, contrary to the default 30000
. Though for
the combinations that involve the accented
and moody
properties, as
mentioned above, that should be raised up to 70000
. Do not set it too
high, because it has the adverse effect of always overriding the default
colors (which have been carefully designed to be highly accessible).
Furthermore, because Moody expects an underline and overline instead of
a box style, it is strongly advised to set x-underline-at-descent-line
to a non-nil
value.
Finally, note that various packages which heavily modify the mode line,
such as doom-modeline
, nano-modeline
, powerline
, spaceline
may not look
as intended with all possible combinations of this user option.
Option for accented background in tab interfaces
Brief: Toggle accent colors for tabbed interfaces.
Symbol: modus-themes-tabs-accented
(boolean
type)
Possible values:
nil
(default)t
By default, all tab interfaces use backgrounds which are shades of gray.
When this option is set to non-nil
, the backgrounds become colorful.
This affects the built-in tab-bar-mode
and tab-line-mode
, as well as the
Centaur tabs package.
Option for completion framework aesthetics
Brief: Set the overall style of completion framework interfaces.
Symbol: modus-themes-completions
(alist
type properties)
This affects Company, Corfu, Flx, Helm, Icomplete/Fido, Ido, Ivy,
Orderless, Selectrum, Vertico. The value is an alist that takes the
form of a (KEY . PROPERTIES)
combination. KEY
is a symbol, while
PROPERTIES
is a list. Here is a sample, followed by a description
of the particularities:
(setq modus-themes-completions
'((matches . (extrabold background intense))
(selection . (semibold accented intense))
(popup . (accented))))
The matches
key refers to the highlighted characters that correspond
to the user's input. When its properties are nil
or an empty list,
matching characters in the user interface will have a bold weight and
a colored foreground. The list of properties may include any of the
following symbols regardless of the order they may appear in:
background
to add a background color;intense
to increase the overall coloration (also amplifies thebackground
, if present);underline
to draw a line below the characters;italic
to use a slanted font (italic or oblique forms);- The symbol of a font weight attribute such as
light
,semibold
, et cetera. Valid symbols are defined in themodus-themes-weights
variable. The absence of a weight means that bold will be used.
The selection
key applies to the current line or currently matched
candidate, depending on the specifics of the user interface. When its
properties are nil
or an empty list, it has a subtle gray background,
a bold weight, and the base foreground value for the text. The list
of properties it accepts is as follows (order is not significant):
accented
to make the background colorful instead of gray;text-also
to apply extra color to the text of the selected line;intense
to increase the overall coloration;underline
to draw a line below the characters;italic
to use a slanted font (italic or oblique forms);- The symbol of a font weight attribute such as
light
,semibold
, et cetera. Valid symbols are defined in themodus-themes-weights
variable. The absence of a weight means that bold will be used.
The popup
key takes the same values as selection
. The only
difference is that it applies specifically to user interfaces that
display an inline popup and thus have slightly different styling
requirements than the minibuffer. The two prominent packages are
company
and corfu
.
Apart from specifying each key separately, a fallback list is accepted. This is only useful when the desired aesthetic is the same across all keys that are not explicitly referenced. For example, this:
(setq modus-themes-completions
'((t . (extrabold intense))))
Is the same as:
(setq modus-themes-completions
'((matches . (extrabold intense))
(selection . (extrabold intense))
(popup . (extrabold intense))))
In the case of the fallback, any property that does not apply to the
corresponding key is simply ignored (matches
does not have accented
and text-also
, while selection
and popup
do not have
background
).
Configure bold and italic faces.
Also refer to the documentation of the orderless
package for its
intersection with company
(if you choose to use those in tandem).
Option for mail citations
Brief: Set the overall style of citations/quotes when composing emails.
Symbol: modus-themes-mail-citations
(choice
type)
Possible values:
nil
(default)intense
faint
monochrome
By default (a nil
value) citations are styled with contrasting hues to
denote their depth. Colors are easy to tell apart because they
complement each other, but they otherwise are not very prominent.
Option intense
is similar to the default in terms of using contrasting
and complementary hues, but applies more saturated colors.
Option faint
maintains the same color-based distinction between citation
levels though the colors it uses have subtle differences between them.
Option monochrome
turns all quotes into a shade of gray.
Whatever the value assigned to this variable, citations in emails are controlled by typographic elements or indentation, which the themes do not touch.
Option for fringe visibility
Brief: Control the overall coloration of the fringes.
Symbol: modus-themes-fringes
(choice
type)
Possible values:
nil
subtle
intense
When the value is nil, do not apply a distinct background color.
With a value of subtle
use a gray background color that is
visible yet close to the main background color.
With intense
use a more pronounced gray background color.
Option for language checkers
Brief: Control the style of in-buffer warnings and errors produced by spell checkers, code linters, and the like.
Symbol: modus-themes-lang-checkers
(choice
type, list of properties)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
straight-underline
text-also
background
-
Overall coloration:
intense
faint
The default (a nil
value or an empty list) applies a color-coded
underline to the affected text, while it leaves the original foreground
intact. If the display spec of Emacs has support for it, the
underline's style is that of a wave, otherwise it is a straight line.
The property straight-underline
ensures that the underline under the
affected text is always drawn as a straight line.
The property text-also
applies the same color of the underline to the
affected text.
The property background
adds a color-coded background.
The property intense
amplifies the applicable colors if background
and/or text-also
are set. If intense
is set on its own, then it implies
text-also
.
The property faint
uses nuanced colors for the underline and for the
foreground when text-also
is included. If both faint
and intense
are
specified, the former takes precedence.
Combinations of any of those properties can be expressed in a list, as in those examples:
(background)
(straight-underline intense)
(background text-also straight-underline)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-lang-checkers '(text-also background))
NOTE: The placement of the straight underline, though not the wave
style, is controlled by the built-in variables underline-minimum-offset
,
x-underline-at-descent-line
, x-use-underline-position-properties
.
To disable fringe indicators for Flymake or Flycheck, refer to variables
flymake-fringe-indicator-position
and flycheck-indication-mode
,
respectively.
Option for line highlighting
Brief: Control the style of the current line of hl-line-mode
.
Symbol: modus-themes-hl-line
(choice
type, list of properties)
The value is a list of properties, each designated by a symbol. With
a nil
value, or an empty list, the style is a subtle gray background
color.
Possible properties are the following symbols:
accented
intense
underline
The property accented
changes the background to a colored variant.
An underline
property draws a line below the highlighted area. Its
color is similar to the background, so gray by default or an accent
color when accented
is also set.
An intense
property amplifies the colors in use, which may be both the
background and the underline.
Combinations of any of those properties are expressed as a list, like in these examples:
(intense)
(underline intense)
(accented intense underline)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-hl-line '(underline accented))
Set x-underline-at-descent-line
to a non-nil
value so that the
placement of the underline coincides with the lower boundary of the
colored background.
This style affects several packages that enable hl-line-mode
, such as
elfeed
, notmuch
, and mu4e
.
[ Also check the lin
package on GNU ELPA (by the author of the
modus-themes) for a stylistic enhancement to hl-line-mode
. ]
Option for line numbers
Brief: Toggle subtle line numbers.
Symbol: modus-themes-subtle-line-numbers
(boolean
type)
Possible value:
nil
(default)t
The default style for display-line-numbers-mode
and its global variant
is to apply a subtle gray background to the line numbers. The current
line has a more pronounced background and foreground combination to
bring more attention to itself.
Similarly, the faces for display-line-numbers-major-tick
and its
counterpart display-line-numbers-minor-tick
use appropriate styles that
involve a bespoke background and foreground combination.
With a non-nil
value (t
), line numbers have no background of their own.
Instead they retain the primary background of the theme, blending with
the rest of the buffer. Foreground values for all relevant faces are
updated to accommodate this aesthetic.
Option for mouseover effects
Brief: Toggle intense mouse hover effects.
Symbol: modus-themes-intense-mouseovers
(boolean
type)
Possible value:
nil
(default)t
By default all mouseover effects apply a highlight with a subtle colored
background. When non-nil
, these have a more pronounced effect.
Note that this affects the generic highlight
which, strictly speaking,
is not limited to mouse usage.
Option for markup style in Org and others
Brief: Choose style of markup in Org, Markdown, and others (affects
constructs such as Org's =verbatim=
and ~code~
).
Symbol: modus-themes-markup
(boolean
type)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
bold
italic
background
intense
The italic
property applies a typographic slant (italics).
The bold
property applies a heavier typographic weight.
Configure bold and italic faces.
The background
property adds a background color. The background is a
shade of gray, unless the intense
property is also set.
The intense
property amplifies the existing coloration. When
background
is used, the background color is enhanced as well and
becomes tinted instead of being gray.
Combinations of any of those properties are expressed as a list, like in these examples:
(bold)
(bold italic)
(bold italic intense)
(bold italic intense background)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-markup '(bold italic))
Also check the variables org-hide-emphasis-markers
,
org-hide-macro-markers
.
Option for parenthesis matching
Brief: Control the style of matching delimiters produced by
show-paren-mode
.
Symbol: modus-themes-paren-match
(choice
type, list of properties)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
bold
intense
underline
The default (a nil
value or an empty list) is a subtle background color.
The bold
property adds a bold weight to the characters of the matching
delimiters.
The intense
property applies a more prominent background color to the
delimiters.
The underline
property draws a straight line under the affected text.
Combinations of any of those properties are expressed as a list, like in these examples:
(bold)
(underline intense)
(bold intense underline)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-paren-match '(bold intense))
This customization variable affects the built-in show-paren-mode
and the
smartparens
package.
Option for active region
Brief: Control the style of the region.
Symbol: modus-themes-region
(choice
type, list of properties)
Possible values are expressed as a list of properties (default is nil
or
an empty list). The list can include any of the following symbols:
no-extend
bg-only
accented
The default (a nil
value or an empty list) is a prominent gray
background that overrides all foreground colors in the area it
encompasses. Its reach extends to the edge of the window.
The no-extend
property limits the region to the end of the line, so that
it does not reach the edge of the window.
The bg-only
property makes the region's background color more subtle to
allow the underlying text to retain its foreground colors.
The accented
property applies a more colorful background to the region.
Combinations of any of those properties are expressed as a list, like in these examples:
(no-extend)
(bg-only accented)
(accented bg-only no-extend)
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-region '(bg-only no-extend))
Option for diff buffer looks
Brief: Set the overall style of diffs.
Symbol: modus-themes-diffs
(choice
type)
Possible values:
nil
(default)desaturated
bg-only
The default (nil
) uses fairly intense color combinations for diffs, by
applying prominently colored backgrounds, with appropriately tinted
foregrounds.
Option desaturated
follows the same principles as with the default
(nil
), though it tones down all relevant colors.
Option bg-only
applies a background but does not override the text's
foreground. This makes it suitable for a non-nil
value passed to
diff-font-lock-syntax
(note: Magit does not support syntax highlighting
in diffs—last checked on 2021-12-02).
When the user option modus-themes-deuteranopia
is non-nil
, all diffs
will use a red/blue color-coding system instead of the standard
red/green. Other stylistic changes are made in the interest of
optimizing for such a use-case.
Option for red-green color deficiency or deuteranopia.
In versions before 2.0.0
there was an option for foreground-only diffs.
This is no longer supported at the theme level because there are cases
where the perceived contrast and overall contextuality were not good
enough although the applied colors were technically above the 7:1
contrast threshold.
Option for org-mode block styles
Brief: Set the overall style of Org code blocks, quotes, and the like.
Symbol: modus-themes-org-blocks
(choice
type)
Possible values:
nil
(default)gray-background
(valuegrayscale
exists for backward compatibility)tinted-background
(valuerainbow
exists for backward compatibility)
Nil (the default) means that the block has no background of its own: it uses the one that applies to the rest of the buffer. In this case, the delimiter lines have a gray color for their text, making them look exactly like all other Org properties.
Option gray-background
applies a subtle gray background to the block's
contents. It also affects the begin and end lines of the block as they
get another shade of gray as their background, which differentiates them
from the contents of the block. All background colors extend to the
edge of the window, giving the area a rectangular, "blocky"
presentation.
Option tinted-background
uses a slightly colored background for the
contents of the block. The exact color will depend on the programming
language and is controlled by the variable org-src-block-faces
(refer to
the theme's source code for the current association list). For this to
take effect, the Org buffer needs to be restarted with org-mode-restart
.
In this scenario, it may be better to inhibit the extension of the
delimiter lines' background to the edge of the window because Org does
not provide a mechanism to update their colors depending on the contents
of the block. Disable the extension of such backgrounds by setting
org-fontify-whole-block-delimiter-line
to nil.
Code blocks use their major mode's colors only when the variable
org-src-fontify-natively
is non-nil
. While quote/verse blocks require
setting org-fontify-quote-and-verse-blocks
to a non-nil
value.
Update Org block delimiter fontification.
Older versions of the themes provided options grayscale
(or greyscale
)
and rainbow
. Those will continue to work as they are aliases for
gray-background
and tinted-background
, respectively.
Option for Org agenda constructs
Brief: Control the style of the Org agenda. Multiple parameters are available, each with its own options.
Symbol: modus-themes-org-agenda
(alist
type, multiple styles)
This is an alist that accepts a (key . value)
combination. Some values
are specified as a list. Here is a sample, followed by a description of
all possible combinations:
(setq modus-themes-org-agenda
'((header-block . (variable-pitch 1.5))
(header-date . (grayscale workaholic bold-today 1.2))
(event . (accented italic varied))
(scheduled . uniform)
(habit . traffic-light)))
A header-block
key applies to elements that concern the headings which
demarcate blocks in the structure of the agenda. By default (a nil
value) those are rendered in a bold typographic weight, plus a height
that is slightly taller than the default font size. Acceptable values
come in the form of a list that can include either or both of those
properties:
variable-pitch
to use a proportionately spaced typeface;- A number as a floating point (e.g. 1.5) to set the height of the text
to that many times the default font height. A float of 1.0 or the
symbol
no-scale
have the same effect of making the font the same height as the rest of the buffer. When neither a number nor `no-scale' are present, the default is a small increase in height (a value of 1.15). Instead of a floating point, an acceptable value can be in the form of a cons cell like(height . FLOAT)
or(height FLOAT)
, where FLOAT is the given number. - The symbol of a weight attribute adjusts the font of the heading
accordingly, such as
light
,semibold
, etc. Valid symbols are defined in the variablemodus-themes-weights
. The absence of a weight means that bold will be used by virtue of inheriting thebold
face.
Configure bold and italic faces.
In case both a number and no-scale
are in the list, the latter takes
precedence. If two numbers are specified, the first one is applied.
Example usage:
(header-block . nil)
(header-block . (1.5))
(header-block . (no-scale))
(header-block . (variable-pitch 1.5))
(header-block . (variable-pitch 1.5 semibold))
A header-date
key covers date headings. Dates use only a foreground
color by default (a nil
value), with weekdays and weekends having a
slight difference in hueness. The current date has an added gray
background. This key accepts a list of values that can include any of
the following properties:
grayscale
to make weekdays use the main foreground color and weekends a more subtle gray;workaholic
to make weekdays and weekends look the same in terms of color;bold-today
to apply a bold typographic weight to the current date;bold-all
to render all date headings in a bold weight;underline-today
applies an underline to the current date while removing the background it has by default;- A number as a floating point (e.g. 1.2) to set the height of the text
to that many times the default font height. The default is the same
as the base font height (the equivalent of 1.0). Instead of a
floating point, an acceptable value can be in the form of a cons cell
like
(height . FLOAT)
or(height FLOAT)
, where FLOAT is the given number.
For example:
(header-date . nil)
(header-date . (workaholic))
(header-date . (grayscale bold-all))
(header-date . (grayscale workaholic))
(header-date . (grayscale workaholic bold-today))
(header-date . (grayscale workaholic bold-today scale-heading))
An event
key covers (i) headings with a plain time stamp that are
shown on the agenda, also known as events, (ii) entries imported from
the diary, and (iii) other items that derive from a symbolic expression
or sexp (phases of the moon, holidays, etc.). By default all those look
the same and have a subtle foreground color (the default is a nil
value
or an empty list). This key accepts a list of properties. Those are:
accented
applies an accent value to the event's foreground, replacing the original gray. It makes all entries stand out more.italic
adds a slant to the font's forms (italic or oblique forms, depending on the typeface).varied
differentiates between events with a plain time stamp and entries that are generated from either the diary or a symbolic expression. It generally puts more emphasis on events. Whenvaried
is combined withaccented
, it makes only events use an accent color, while diary/sexp entries retain their original subtle foreground. Whenvaried
is used in tandem withitalic
, it applies a slant only to diary and sexp entries, not events. And whenvaried
is the sole property passed to theevent
key, it has the same meaning as the list (italic varied). The combination ofvaried
,accented
,italic
covers all of the aforementioned cases.
For example:
(event . nil)
(event . (italic))
(event . (accented italic))
(event . (accented italic varied))
A scheduled
key applies to tasks with a scheduled date. By default (a
nil
value), those use varying shades of yellow to denote (i) a past or
current date and (ii) a future date. Valid values are symbols:
nil
(default);uniform
to make all scheduled dates the same color;rainbow
to use contrasting colors for past, present, future scheduled dates.
For example:
(scheduled . nil)
(scheduled . uniform)
(scheduled . rainbow)
A habit
key applies to the org-habit
graph. All possible value are
passed as a symbol. Those are:
- The default (
nil
) is meant to conform with the original aesthetic oforg-habit
. It employs all four color codes that correspond to the org-habit states—clear, ready, alert, and overdue—while distinguishing between their present and future variants. This results in a total of eight colors in use: red, yellow, green, blue, in tinted and shaded versions. They cover the full set of information provided by theorg-habit
consistency graph. simplified
is like the default except that it removes the dichotomy between current and future variants by applying uniform color-coded values. It applies a total of four colors: red, yellow, green, blue. They produce a simplified consistency graph that is more legible (or less busy) than the default. The intent is to shift focus towards the distinction between the four states of a habit task, rather than each state's present/future outlook.traffic-light
further reduces the available colors to red, yellow, and green. As insimplified
, present and future variants appear uniformly, but differently from it, theclear
state is rendered in a green hue, instead of the original blue. This is meant to capture the use-case where a habit task being too early is less important than it being too late. The difference between ready and clear states is attenuated by painting both of them using shades of green. This option thus highlights the alert and overdue states.- When
modus-themes-deuteranopia
is non-nil
the exact style of the habit graph adapts to the needs of users with red-green color deficiency by substituting every instance of green with blue or cyan (depending on the specifics).
Option for red-green color deficiency or deuteranopia.
For example:
(habit . nil)
(habit . simplified)
(habit . traffic-light)
Putting it all together, the alist can look like this:
'((header-block . (1.5 variable-pitch))
(header-date . (grayscale workaholic bold-today))
(event . (accented varied))
(scheduled . uniform)
(habit . traffic-light))
;; Or else:
(setq modus-themes-org-agenda
'((header-block . (1.5 variable-pitch))
(header-date . (grayscale workaholic bold-today))
(event . (accented varied))
(scheduled . uniform)
(habit . traffic-light)))
Option for the headings' overall style
Brief: Heading styles with optional list of values for levels 0-8.
Symbol: modus-themes-headings
(alist
type, multiple properties)
This is an alist that accepts a (key . list-of-values)
combination.
The key is either a number, representing the heading's level (0-8) or t,
which pertains to the fallback style.
Level 0 is a special heading: it is used for what counts as a document
title or equivalent, such as the #+title
construct we find in Org
files. Levels 1-8 are regular headings.
The list of values covers symbols that refer to properties, as described below. Here is a complete sample, followed by a presentation of all available properties:
(setq modus-themes-headings
'((1 . (background overline variable-pitch 1.5))
(2 . (overline rainbow 1.3))
(3 . (overline 1.1))
(t . (monochrome))))
Properties:
rainbow
overline
background
monochrome
-
A font weight, which must be supported by the underlying typeface:
thin
ultralight
extralight
light
semilight
regular
medium
semibold
bold
heavy
extrabold
ultrabold
no-bold
(deprecated alias of aregular
weight)- A floating point as a height multiple of the default or a cons cell in
the form of
(height . FLOAT)
.
By default (a nil
value for this variable), all headings have a bold
typographic weight and use a desaturated text color.
A rainbow
property makes the text color more saturated.
An overline
property draws a line above the area of the heading.
A background
property adds a subtle tinted color to the background of
the heading.
A monochrome
property makes the heading the same as the base color,
which is that of the default
face's foreground. When background
is also
set, monochrome
changes its color to gray. If both monochrome
and
rainbow
are set, the former takes precedence.
A variable-pitch
property changes the font family of the heading to that
of the variable-pitch
face (normally a proportionately spaced typeface).
The symbol of a weight attribute adjusts the font of the heading
accordingly, such as light
, semibold
, etc. Valid symbols are
defined in the variable modus-themes-weights
. The absence of a weight
means that bold will be used by virtue of inheriting the bold
face.
For backward compatibility, the no-bold
value is accepted, though
users are encouraged to specify a regular
weight instead.
Configure bold and italic faces.
A number, expressed as a floating point (e.g. 1.5), adjusts the height
of the heading to that many times the base font size. The default
height is the same as 1.0, though it need not be explicitly stated.
Instead of a floating point, an acceptable value can be in the form of a
cons cell like (height . FLOAT)
or (height FLOAT)
, where FLOAT is
the given number.
Combinations of any of those properties are expressed as a list, like in these examples:
(semibold)
(rainbow background)
(overline monochrome semibold 1.3)
(overline monochrome semibold (height 1.3)) ; same as above
(overline monochrome semibold (height . 1.3)) ; same as above
The order in which the properties are set is not significant.
In user configuration files the form may look like this:
(setq modus-themes-headings
'((1 . (background overline rainbow 1.5))
(2 . (background overline 1.3))
(t . (overline semibold))))
When defining the styles per heading level, it is possible to pass a
non-nil
value (t
) instead of a list of properties. This will retain the
original aesthetic for that level. For example:
(setq modus-themes-headings
'((1 . t) ; keep the default style
(2 . (background overline))
(t . (rainbow)))) ; style for all other headings
(setq modus-themes-headings
'((1 . (background overline))
(2 . (rainbow semibold))
(t . t))) ; default style for all other levels
For Org users, the extent of the heading depends on the variable
org-fontify-whole-heading-line
. This affects the overline
and
background
properties. Depending on the version of Org, there may be
others, such as org-fontify-done-headline
.
Option for variable-pitch font in UI elements
Brief: Toggle the use of proportionately spaced (variable-pitch
) fonts
in the User Interface.
Symbol: modus-themes-variable-pitch-ui
(boolean
type)
Possible values:
nil
(default)t
This option concerns User Interface elements that are under the direct control of Emacs. In particular: the mode line, header line, tab bar, and tab line.
The default is to use the same font as the rest of Emacs, which usually is a monospaced family.
With a non-nil
value (t
) apply a proportionately spaced typeface. This
is done by assigning the variable-pitch
face to the relevant items.
Advanced customization
Unlike the predefined customization options which follow a clear pattern of allowing the user to quickly specify their preference, the themes also provide a more flexible, albeit difficult, mechanism to control things with precision (Customization Options).
This section is of interest only to users who are prepared to maintain their own local tweaks and who are willing to deal with any possible incompatibilities between versioned releases of the themes. As such, they are labeled as "do-it-yourself" or "DIY".
More accurate colors in terminal emulators
[ This is based on partial information. Please help verify and/or expand these findings. ]
The graphical version of Emacs can reproduce color values accurately. Whereas things get more tricky when Emacs is used in a terminal emulator, because the terminals' own capabilities determine the number of colors that may be displayed: the Modus themes don't look as good in that case.
There is, however, a way to instruct supported terminal emulators to use
more accurate colors. In a shell prompt type toe -a | grep direct
to
get a list of relevant terminfo entries. There should be items such as
xterm-direct
, alacritty-direct
, kitty-direct
. Once you find the one
that corresponds to your terminal, call Emacs with an environment
variable like TERM=xterm-direct
. Example that can be adapted to shell
aliases:
TERM=xterm-direct emacsclient -nw
Another example that can be bound to a key:
TERM=xterm-direct uxterm -e emacsclient -nw
Range of color with terminal emulators
[ This is based on partial information. Please help verify and/or expand these findings. ]
When Emacs runs in a non-windowed session its color reproduction capacity is framed or determined by the underlying terminal emulator (More accurate colors in terminal emulators). Emacs cannot produce a color that lies outside the range of what the terminal's color palette renders possible.
This is immediately noticeable when the terminal's first 16 codes do not
include a pure black value for the termcol0
entry and a pure white for
termcol15
. Emacs cannot set the correct background (white for
modus-operandi
; black for modus-vivendi
) or foreground (inverse of
the background). It thus falls back to the closest approximation, which
seldom is appropriate for the purposes of the Modus themes.
In such a case, the user is expected to update their terminal's color palette such as by adapting these resources:
! Theme: modus-operandi
! Description: XTerm port of modus-operandi (Modus themes for GNU Emacs)
! Author: Protesilaos Stavrou, <https://protesilaos.com>
xterm*background: #ffffff
xterm*foreground: #000000
xterm*color0: #000000
xterm*color1: #a60000
xterm*color2: #005e00
xterm*color3: #813e00
xterm*color4: #0031a9
xterm*color5: #721045
xterm*color6: #00538b
xterm*color7: #bfbfbf
xterm*color8: #595959
xterm*color9: #972500
xterm*color10: #315b00
xterm*color11: #70480f
xterm*color12: #2544bb
xterm*color13: #5317ac
xterm*color14: #005a5f
xterm*color15: #ffffff
! Theme: modus-vivendi
! Description: XTerm port of modus-vivendi (Modus themes for GNU Emacs)
! Author: Protesilaos Stavrou, <https://protesilaos.com>
xterm*background: #000000
xterm*foreground: #ffffff
xterm*color0: #000000
xterm*color1: #ff8059
xterm*color2: #44bc44
xterm*color3: #d0bc00
xterm*color4: #2fafff
xterm*color5: #feacd0
xterm*color6: #00d3d0
xterm*color7: #bfbfbf
xterm*color8: #595959
xterm*color9: #ef8b50
xterm*color10: #70b900
xterm*color11: #c0c530
xterm*color12: #79a8ff
xterm*color13: #b6a0ff
xterm*color14: #6ae4b9
xterm*color15: #ffffff
Visualize the active Modus theme's palette
The command modus-themes-list-colors
prompts for a choice between
modus-operandi
and modus-vivendi
to produce a help buffer that shows a
preview of each variable in the given theme's color palette. The
command modus-themes-list-colors-current
skips the prompt, using the
current Modus theme.
Each row shows a foreground and background coloration using the
underlying value it references. For example a line with #a60000
(a
shade of red) will show red text followed by a stripe with that same
color as a backdrop.
The name of the buffer describes the given Modus theme. It is thus
called *modus-operandi-list-colors*
or *modus-vivendi-list-colors*
.
Per-theme customization settings
If you prefer to maintain different customization options between the two themes, it is best you write your own functions that first set those options and then load the relevant theme. The following code does exactly that by simply differentiating the two themes on the choice of bold constructs in code syntax (enabled for one, disabled for the other).
(defun my-demo-modus-operandi ()
(interactive)
(setq modus-themes-bold-constructs t) ; ENABLE bold
(modus-themes-load-operandi))
(defun my-demo-modus-vivendi ()
(interactive)
(setq modus-themes-bold-constructs nil) ; DISABLE bold
(modus-themes-load-vivendi))
(defun my-demo-modus-themes-toggle ()
(if (eq (car custom-enabled-themes) 'modus-operandi)
(my-demo-modus-vivendi)
(my-demo-modus-operandi)))
Then assign my-demo-modus-themes-toggle
to a key instead of the
equivalent the themes provide.
For a more elaborate design, it is better to inspect the source code of
modus-themes-toggle
and relevant functions.
Case-by-case face specs using the themes' palette
This section is about tweaking individual faces. If you plan to do things at scale, consult the next section: Set multiple faces.
We already covered in previous sections how to toggle between the themes and how to configure options prior to loading. We also explained that some of the functions made available to users will fire up a hook that can be used to pass tweaks in the post-theme-load phase.
Now assume you wish to change a single face, say, the cursor
. And you
would like to get the standard "blue" color value of the active Modus
theme, whether it is Modus Operandi or Modus Vivendi. To do that, you
can use the modus-themes-color
function. It accepts a symbol that is
associated with a color in modus-themes-operandi-colors
and
modus-themes-vivendi-colors
. Like this:
(modus-themes-color 'blue)
The function always extracts the color value of the active Modus theme.
(progn
(load-theme 'modus-operandi t)
(modus-themes-color 'blue)) ; "#0031a9" for `modus-operandi'
(progn
(load-theme 'modus-vivendi t)
(modus-themes-color 'blue)) ; "#2fafff" for `modus-vivendi'
Do
C-h v
on the aforementioned variables to check all the available symbols that can be passed to this function. Or simply invoke the commandmodus-themes-list-colors
to produce a buffer with a preview of
each entry in the palette.
Visualize the active Modus theme's palette.
With that granted, let us expand the example to actually change the
cursor
face's background property. We employ the built-in function of
set-face-attribute
:
(set-face-attribute 'cursor nil :background (modus-themes-color 'blue))
If you evaluate this form, your cursor will become blue. But if you
change themes, such as with modus-themes-toggle
, your edits will be
lost, because the newly loaded theme will override the :background
attribute you had assigned to that face.
For such changes to persist, we need to make them after loading the
theme. So we rely on modus-themes-after-load-theme-hook
, which gets
called from modus-themes-load-operandi
, modus-themes-load-vivendi
, as
well as the command modus-themes-toggle
. Here is a sample function that
tweaks two faces and then gets added to the hook:
(defun my-modus-themes-custom-faces ()
(set-face-attribute 'cursor nil :background (modus-themes-color 'blue))
(set-face-attribute 'font-lock-type-face nil :foreground (modus-themes-color 'magenta-alt)))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
A theme-agnostic hook for theme loading.
Using this principle, it is possible to override the styles of faces without having to find color values for each case.
Another application is to control the precise weight for bold
constructs. This is particularly useful if your typeface has several
variants such as "heavy", "extrabold", "semibold". All you have to do
is edit the bold
face. For example:
(set-face-attribute 'bold nil :weight 'semibold)
Remember to use the custom function and hook combo we demonstrated above. Because the themes do not hard-wire a specific weight, this simple form is enough to change the weight of all bold constructs throughout the interface.
Finally, there are cases where you want to tweak colors though wish to
apply different ones to each theme, say, a blue hue for Modus Operandi
and a shade of red for Modus Vivendi. To this end, we provide
modus-themes-color-alts
as a convenience function to save you from the
trouble of writing separate wrappers for each theme. It still returns a
single value by querying either of modus-themes-operandi-colors
and
modus-themes-vivendi-colors
, only here you pass the two keys you want,
first for modus-operandi
then modus-vivendi
.
Take the previous example with the cursor
face:
;; Blue for `modus-operandi' and red for `modus-vivendi'
(set-face-attribute 'cursor nil :background (modus-themes-color-alts 'blue 'red))
Face specs at scale using the themes' palette
The examples here are for large scale operations. For simple, one-off tweaks, you may prefer the approach documented in the previous section (Case-by-case face specs using the themes' palette).
The modus-themes-with-colors
macro lets you retrieve multiple color
values by employing the backquote/backtick and comma notation. The
values are stored in the alists modus-themes-operandi-colors
and
modus-themes-vivendi-colors
, while the macro always queries that of the
active Modus theme (preview the current palette with the command
modus-themes-list-colors
).
Visualize the active Modus theme's palette.
Here is an abstract example that just returns a list of color values
while modus-operandi
is enabled:
(modus-themes-with-colors
(list fg-main
blue-faint
magenta
magenta-alt-other
cyan-alt-other
fg-special-cold
blue-alt
magenta-faint
cyan
fg-main
green-faint
red-alt-faint
blue-alt-faint
fg-special-warm
cyan-alt
blue))
;; =>
;; ("#000000" "#002f88" "#721045" "#5317ac"
;; "#005a5f" "#093060" "#2544bb" "#752f50"
;; "#00538b" "#000000" "#104410" "#702f00"
;; "#003f78" "#5d3026" "#30517f" "#0031a9")
Getting a list of colors may have its applications, though what you are
most likely interested in is how to use those variables to configure
several faces at once. To do so we can rely on the built-in
custom-set-faces
function, which sets face specifications for the
special user
theme. That "theme" gets applied on top of regular themes
like modus-operandi
and modus-vivendi
.
This is how it works:
(modus-themes-with-colors
(custom-set-faces
`(cursor ((,class :background ,blue)))
`(mode-line ((,class :background ,yellow-nuanced-bg
:foreground ,yellow-nuanced-fg)))
`(mode-line-inactive ((,class :background ,blue-nuanced-bg
:foreground ,blue-nuanced-fg)))))
The above snippet will immediately refashion the faces it names once it
is evaluated. However, if you switch between the Modus themes, say,
from modus-operandi
to modus-vivendi
, the colors will not get updated to
match those of the new theme. To make things work across the themes, we
need to employ the same technique we discussed in the previous section,
namely, to pass our changes at the post-theme-load phase via a hook.
The themes provide the modus-themes-after-load-theme-hook
, which gets
called from modus-themes-load-operandi
, modus-themes-load-vivendi
, as
well as the command modus-themes-toggle
. With this knowledge, you can
wrap the macro in a function and then assign that function to the hook.
Thus:
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
`(cursor ((,class :background ,blue)))
`(mode-line ((,class :background ,yellow-nuanced-bg
:foreground ,yellow-nuanced-fg)))
`(mode-line-inactive ((,class :background ,blue-nuanced-bg
:foreground ,blue-nuanced-fg))))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
A theme-agnostic hook for theme loading.
To discover the faces defined by all loaded libraries, you may do
M-x list-faces-display
. Be warned that when you:inherit
a face
you are introducing an implicit dependency, so try to avoid doing so for
libraries other than the built-in faces.el
(or at least understand that things may break if you inherit from a yet-to-be-loaded face).Also bear in mind that these examples are meant to work with the Modus themes. If you are cycling between multiple themes you may encounter unforeseen issues, such as the colors of the Modus themes being applied to a non-Modus item.
Finally, note that you can still use other functions where those make
sense. For example, the modus-themes-color-alts
that was discussed in
the previous section. Adapt the above example like this:
...
(modus-themes-with-colors
(custom-set-faces
`(cursor ((,class :background ,(modus-themes-color-alts 'blue 'green))))
...))
Remap face with local value
There are cases where we need to change the buffer-local attributes of a
face. This might be because we have our own minor mode that re-uses a
face for a particular purpose, such as a line selection tool that
activates hl-line-mode
, but we wish to keep it distinct from other
buffers. This is where face-remap-add-relative
can be applied and may
be combined with modus-themes-with-colors
to deliver consistent results.
Face specs at scale using the themes' palette.
In this example we will write a simple interactive function that adjusts
the background color of the region
face. This is the sample code:
(defvar my-rainbow-region-colors
(modus-themes-with-colors
`((red . ,red-subtle-bg)
(green . ,green-subtle-bg)
(yellow . ,yellow-subtle-bg)
(blue . ,blue-subtle-bg)
(magenta . ,magenta-subtle-bg)
(cyan . ,cyan-subtle-bg)))
"Sample list of color values for `my-rainbow-region'.")
(defun my-rainbow-region (color)
"Remap buffer-local attribute of `region' using COLOR."
(interactive
(list
(completing-read "Pick a color: " my-rainbow-region-colors)))
(face-remap-add-relative
'region
`( :background ,(alist-get (intern color) my-rainbow-region-colors)
:foreground ,(face-attribute 'default :foreground))))
When my-rainbow-region
is called interactively, it prompts for a color
to use. The list of candidates is drawn from the car of each
association in my-rainbow-region-colors
(so "red", "green", etc.).
To extend this principle, we may write wrapper functions that pass a color directly. Those can be useful in tandem with hooks. Consider this example:
(defun my-rainbow-region-magenta ()
(my-rainbow-region 'magenta))
(add-hook 'diff-mode-hook #'my-rainbow-region-magenta)
Whenever we enter a diff-mode
buffer, we now get a magenta-colored
region.
Perhaps you may wish to generalize those findings in to a set of functions that also accept an arbitrary face. We shall leave the experimentation up to you.
Cycle through arbitrary colors
Users may opt to customize individual faces of the themes to accommodate
their particular needs. One such case is with the color intensity of
comments, specifically the foreground of font-lock-comment-face
. The
Modus themes set that to a readable value, in accordance with their
accessibility objective, though users may prefer to lower the overall
contrast on an on-demand basis.
One way to achieve this is to design a command that cycles through three distinct levels of intensity, though the following can be adapted to any kind of cyclic behavior, such as to switch between red, green, and blue.
In the following example, we employ the modus-themes-color
function
which reads a symbol that represents an entry in the active theme's
color palette (Case-by-case face specs using the themes' palette).
Those are stored in my-modus-themes-comment-colors
.
(defvar my-modus-themes-comment-colors
;; We are abusing the palette here, as those colors have their own
;; purpose in the palette, so please ignore the semantics of their
;; names.
'((low . bg-region)
(medium . bg-tab-inactive-alt)
(high . fg-alt))
"Alist of levels of intensity mapped to color palette entries.
The entries are found in `modus-themes-operandi-colors' or
`modus-themes-vivendi-colors'.")
(defvar my-modus-themes--adjust-comment-color-state nil
"The cyclic state of `my-modus-themes-adjust-comment-color'.
For internal use.")
(defun my-modus-themes--comment-foreground (degree state)
"Set `font-lock-comment-face' foreground.
Use `my-modus-themes-comment-colors' to extract the color value
for each level of intensity.
This is complementary to `my-modus-themes-adjust-comment-color'."
(let ((palette-colors my-modus-themes-comment-colors))
(set-face-foreground
'font-lock-comment-face
(modus-themes-color (alist-get degree palette-colors)))
(setq my-modus-themes--adjust-comment-color-state state)
(message "Comments are set to %s contrast" degree)))
(defun my-modus-themes-adjust-comment-color ()
"Cycle through levels of intensity for comments.
The levels are determined by `my-modus-themes-comment-colors'."
(interactive)
(pcase my-modus-themes--adjust-comment-color-state
('nil
(my-modus-themes--comment-foreground 'low 1))
(1
(my-modus-themes--comment-foreground 'medium 2))
(_
(my-modus-themes--comment-foreground 'high nil))))
With the above,
M-x my-modus-themes-adjust-comment-color
will cycle through the three levels of intensity that have been specified.
Another approach is to not read from the active theme's color palette
and instead provide explicit color values, either in hexadecimal RGB
notation (like #123456
) or as the names that are displayed in the output
of
M-x list-colors-display
. In this case, the alist with the colors will have to account for the active theme, so as to set the appropriate colors. While this introduces a bit more complexity, it ultimately offers greater flexibility on the choice of colors for such a niche functionality (so there is no need to abuse the palette of the active Modus theme):(defvar my-modus-themes-comment-colors
'((light . ((low . "gray75")
(medium . "gray50")
(high . "#505050"))) ; the default for `modus-operandi'
(dark . ((low . "gray25")
(medium . "gray50")
(high . "#a8a8a8")))) ; the default for `modus-vivendi'
"Alist of levels of intensity mapped to color values.
For such colors, consult the command `list-colors-display'. Pass
the name of a color or its hex value.")
(defvar my-modus-themes--adjust-comment-color-state nil
"The cyclic state of `my-modus-themes-adjust-comment-color'.
For internal use.")
(defun my-modus-themes--comment-foreground (degree state)
"Set `font-lock-comment-face' foreground.
Use `my-modus-themes-comment-colors' to extract the color value
for each level of intensity.
This is complementary to `my-modus-themes-adjust-comment-color'."
(let* ((colors my-modus-themes-comment-colors)
(levels (pcase (car custom-enabled-themes)
('modus-operandi (alist-get 'light colors))
('modus-vivendi (alist-get 'dark colors)))))
(set-face-foreground
'font-lock-comment-face
(alist-get degree levels))
(setq my-modus-themes--adjust-comment-color-state state)
(message "Comments are set to %s contrast" degree)))
(defun my-modus-themes-adjust-comment-color ()
"Cycle through levels of intensity for comments.
The levels are determined by `my-modus-themes-comment-colors'."
(interactive)
(pcase my-modus-themes--adjust-comment-color-state
('nil
(my-modus-themes--comment-foreground 'low 1))
(1
(my-modus-themes--comment-foreground 'medium 2))
(_
(my-modus-themes--comment-foreground 'high nil))))
The effect of the above configurations on font-lock-comment-face
is
global. To make it buffer-local, one must tweak the code to employ the
function face-remap-add-relative
(Remap face with local value).
So this form in my-modus-themes--comment-foreground
:
;; example 1
(...
(set-face-foreground
'font-lock-comment-face
(modus-themes-color (alist-get degree palette-colors)))
...)
;; example 2
(...
(set-face-foreground
'font-lock-comment-face
(alist-get degree levels))
...)
Must become this:
;; example 1
(...
(face-remap-add-relative
'font-lock-comment-face
`(:foreground ,(modus-themes-color (alist-get degree palette-colors))))
...)
;; example 2
(...
(face-remap-add-relative
'font-lock-comment-face
`(:foreground ,(alist-get degree levels)))
...)
Override colors
The themes provide a mechanism for overriding their color values. This
is controlled by the variables modus-themes-operandi-color-overrides
and
modus-themes-vivendi-color-overrides
, which are alists that should
mirror a subset of the associations in modus-themes-operandi-colors
and
modus-themes-vivendi-colors
respectively. As with all customizations,
overriding must be done before loading the affected theme.
Visualize the active Modus theme's palette.
Let us approach the present topic one step at a time. Here is a simplified excerpt of the default palette for Modus Operandi with some basic background values that apply to buffers and the mode line (remember to inspect the actual value to find out all the associations that can be overridden):
(defconst modus-themes-operandi-colors
'((bg-main . "#ffffff")
(bg-dim . "#f8f8f8")
(bg-alt . "#f0f0f0")
(bg-active . "#d7d7d7")
(bg-inactive . "#efefef")))
As one can tell, we bind a key to a hexadecimal RGB color value. Now say we wish to override those specific values and have our changes propagate to all faces that use those keys. We could write something like this, which adds a subtle ocher tint:
(setq modus-themes-operandi-color-overrides
'((bg-main . "#fefcf4")
(bg-dim . "#faf6ef")
(bg-alt . "#f7efe5")
(bg-active . "#e8dfd1")
(bg-inactive . "#f6ece5")))
Once this is evaluated, any subsequent loading of modus-operandi
will
use those values instead of the defaults. No further intervention is
required.
To reset the changes, we apply this and reload the theme:
(setq modus-themes-operandi-color-overrides nil)
Users who wish to leverage such a mechanism can opt to implement it on-demand by means of a global minor mode. The following snippet covers both themes and expands to some more associations in the palette:
(define-minor-mode my-modus-themes-tinted
"Tweak some Modus themes colors."
:init-value nil
:global t
(if my-modus-themes-tinted
(setq modus-themes-operandi-color-overrides
'((bg-main . "#fefcf4")
(bg-dim . "#faf6ef")
(bg-alt . "#f7efe5")
(bg-hl-line . "#f4f0e3")
(bg-active . "#e8dfd1")
(bg-inactive . "#f6ece5")
(bg-region . "#c6bab1")
(bg-header . "#ede3e0")
(bg-tab-active . "#fdf6eb")
(bg-tab-inactive . "#c8bab8"))
modus-themes-vivendi-color-overrides
'((bg-main . "#100b17")
(bg-dim . "#161129")
(bg-alt . "#181732")
(bg-hl-line . "#191628")
(bg-active . "#282e46")
(bg-inactive . "#1a1e39")
(bg-region . "#393a53")
(bg-header . "#202037")
(bg-tab-active . "#120f18")
(bg-tab-inactive . "#3a3a5a")))
(setq modus-themes-operandi-color-overrides nil
modus-themes-vivendi-color-overrides nil)))
A more neutral style for modus-themes-operandi-color-overrides
can
look like this:
'((bg-main . "#f7f7f7")
(bg-dim . "#f2f2f2")
(bg-alt . "#e8e8e8")
(bg-hl-line . "#eaeaef")
(bg-active . "#e0e0e0")
(bg-inactive . "#e6e6e6")
(bg-region . "#b5b5b5")
(bg-header . "#e4e4e4")
(bg-tab-active . "#f5f5f5")
(bg-tab-inactive . "#c0c0c0"))
With those in place, one can use
M-x my-modus-themes-tinted
and then load the Modus theme of their choice. The new palette subset will come into effect: subtle ocher tints (or shades of gray) for Modus Operandi and night sky blue shades for Modus Vivendi. Switching between the two themes, such as withM-x modus-themes-toggle
will also use the overrides.Given that this is a user-level customization, one is free to implement whatever color values they desire, even if the possible combinations fall below the minimum 7:1 contrast ratio that governs the design of the themes (the WCAG AAA legibility standard). Alternatively, this can also be done programmatically (Override color saturation).
The above are expanded into a fully fledged derivative elsewhere in this document (Override colors completely).
For manual interventions it is advised to inspect the source code of
modus-themes-operandi-colors
and modus-themes-vivendi-colors
for the
inline commentary: it explains what the intended use of each palette
subset is.
Furthermore, users may benefit from the modus-themes-contrast
function
that we provide: test color combinations. It measures the contrast
ratio between two color values, so it can help in overriding the palette
(or a subset thereof) without making the end result inaccessible.
Override color saturation
In the previous section we documented how one can override color values
manually (Override colors). Here we use a programmatic approach which
leverages the built-in color-saturate-name
function to adjust the
saturation of all color values used by the active Modus theme. Our goal
is to prepare a counterpart of the active theme's palette that holds
modified color values, adjusted for a percent change in saturation. A
positive number amplifies the effect, while a negative one will move
towards a grayscale spectrum.
We start with a function that can be either called from Lisp or invoked
interactively. In the former scenario, we pass to it the rate of change
we want. While in the latter, a minibuffer prompt asks for a number to
apply the desired effect. In either case, we intend to assign anew the
value of modus-themes-operandi-color-overrides
(light theme) and the
same for modus-themes-vivendi-color-overrides
(dark theme).
(defun my-modus-themes-saturate (percent)
"Saturate current Modus theme palette overrides by PERCENT."
(interactive
(list (read-number "Saturation by percent: ")))
(let* ((theme (modus-themes--current-theme))
(palette (pcase theme
('modus-operandi modus-themes-operandi-colors)
('modus-vivendi modus-themes-vivendi-colors)
(_ (error "No Modus theme is active"))))
(overrides (pcase theme
('modus-operandi 'modus-themes-operandi-color-overrides)
('modus-vivendi 'modus-themes-vivendi-color-overrides)
(_ (error "No Modus theme is active")))))
(let (name cons colors)
(dolist (cons palette)
(setq name (color-saturate-name (cdr cons) percent))
(setq name (format "%s" name))
(setq cons `(,(car cons) . ,name))
(push cons colors))
(set overrides colors))
(pcase theme
('modus-operandi (modus-themes-load-operandi))
('modus-vivendi (modus-themes-load-vivendi)))))
;; sample Elisp calls (or call `my-modus-themes-saturate' interactively)
(my-modus-themes-saturate 50)
(my-modus-themes-saturate -75)
Using the above has an immediate effect, as it reloads the active Modus theme.
The my-modus-themes-saturate
function stores new color values in the
variables modus-themes-operandi-color-overrides
and
modus-themes-vivendi-color-overrides
, meaning that it undoes changes
implemented by the user on individual colors. To have both automatic
saturation adjustment across the board and retain per-case edits to the
palette, some tweaks to the above function are required. For example:
(defvar my-modus-themes-vivendi-extra-color-overrides
'((fg-main . "#ead0c0")
(bg-main . "#050515"))
"My bespoke colors for `modus-vivendi'.")
(defvar my-modus-themes-operandi-extra-color-overrides
'((fg-main . "#1a1a1a")
(bg-main . "#fefcf4"))
"My bespoke colors for `modus-operandi'.")
(defun my-modus-themes-saturate (percent)
"Saturate current Modus theme palette overrides by PERCENT.
Preserve the color values stored in
`my-modus-themes-operandi-extra-color-overrides',
`my-modus-themes-vivendi-extra-color-overrides'."
(interactive
(list (read-number "Saturation by percent: ")))
(let* ((theme (modus-themes--current-theme))
(palette (pcase theme
('modus-operandi modus-themes-operandi-colors)
('modus-vivendi modus-themes-vivendi-colors)
(_ (error "No Modus theme is active"))))
(overrides (pcase theme
('modus-operandi 'modus-themes-operandi-color-overrides)
('modus-vivendi 'modus-themes-vivendi-color-overrides)
(_ (error "No Modus theme is active"))))
(extra-overrides (pcase theme
('modus-operandi my-modus-themes-operandi-extra-color-overrides)
('modus-vivendi my-modus-themes-vivendi-extra-color-overrides)
(_ (error "No Modus theme is active")))))
(let (name cons colors)
(dolist (cons palette)
(setq name (color-saturate-name (cdr cons) percent))
(setq name (format "%s" name))
(setq cons `(,(car cons) . ,name))
(push cons colors))
(set overrides (append extra-overrides colors)))
(pcase theme
('modus-operandi (modus-themes-load-operandi))
('modus-vivendi (modus-themes-load-vivendi)))))
To disable the effect, one must reset the aforementioned variables of
the themes to nil
. Or specify a command for it, such as by taking
inspiration from the modus-themes-toggle
we already provide:
(defun my-modus-themes-revert-overrides ()
"Reset palette overrides and reload active Modus theme."
(interactive)
(setq modus-themes-operandi-color-overrides nil
modus-themes-vivendi-color-overrides nil)
(pcase (modus-themes--current-theme)
('modus-operandi (modus-themes-load-operandi))
('modus-vivendi (modus-themes-load-vivendi))))
Override colors through blending
This is yet another method of overriding color values.
Building on ideas and concepts from the previous sections, this method
blends the entire palette at once with the chosen colors. The function
my-modus-themes-interpolate
blends two colors, taking a value from the
themes and mixing it with a user-defined color to arrive at a midpoint.
This scales to all background and foreground colors with the help of the
my-modus-themes-tint-palette
function.
(setq my-modus-operandi-bg-blend "#fbf1c7"
my-modus-operandi-fg-blend "#3a6084"
my-modus-vivendi-bg-blend "#3a4042"
my-modus-vivendi-fg-blend "#d7b765")
;; Adapted from the `kurecolor-interpolate' function of kurecolor.el
(defun my-modus-themes-interpolate (color1 color2)
(cl-destructuring-bind (r g b)
(mapcar #'(lambda (n) (* (/ n 2) 255.0))
(cl-mapcar '+ (color-name-to-rgb color1) (color-name-to-rgb color2)))
(format "#%02X%02X%02X" r g b)))
(defun my-modus-themes-tint-palette (palette bg-blend fg-blend)
"Modify Modus PALETTE programmatically and return a new palette.
Blend background colors with BG-BLEND and foreground colors with FG-BLEND."
(let (name cons colors)
(dolist (cons palette)
(let ((blend (if (string-match "bg" (symbol-name (car cons)))
bg-blend
fg-blend)))
(setq name (my-modus-themes-interpolate (cdr cons) blend)))
(setq name (format "%s" name))
(setq cons `(,(car cons) . ,name))
(push cons colors))
colors))
(define-minor-mode modus-themes-tinted-mode
"Tweak some Modus themes colors."
:init-value nil
:global t
(if modus-themes-tinted-mode
(setq modus-themes-operandi-color-overrides
(my-modus-themes-tint-palette modus-themes-operandi-colors
my-modus-operandi-bg-blend
my-modus-operandi-fg-blend)
modus-themes-vivendi-color-overrides
(my-modus-themes-tint-palette modus-themes-vivendi-colors
my-modus-vivendi-bg-blend
my-modus-vivendi-fg-blend))
(setq modus-themes-operandi-color-overrides nil
modus-themes-vivendi-color-overrides nil)))
(modus-themes-tinted-mode 1)
Override colors completely
Based on the ideas we have already covered in these sections, the following code block provides a complete, bespoke pair of color palettes which override the defaults. They are implemented as a minor mode, as explained before (Override colors). We call them "Summertime" for convenience.
;; Read the relevant blog post:
;; <https://protesilaos.com/codelog/2022-07-26-modus-themes-color-override-demo/>
(define-minor-mode modus-themes-summertime
"Refashion the Modus themes by overriding their colors.
This is a complete technology demonstration to show how to
manually override the colors of the Modus themes. I have taken
good care of those overrides to make them work as a fully fledged
color scheme that is compatible with all user options of the
Modus themes.
These overrides are usable by those who (i) like something more
fancy than the comparatively austere looks of the Modus themes,
and (ii) can cope with a lower contrast ratio.
The overrides are set up as a minor mode, so that the user can
activate the effect on demand. Those who want to load the
overrides at all times can either add them directly to their
configuration or enable `modus-themes-summertime' BEFORE loading
either of the Modus themes (if the overrides are evaluated after
the theme, the theme must be reloaded).
Remember that all changes to theme-related variables require a
reload of the theme to take effect (the Modus themes have lots of
user options, apart from those overrides).
The `modus-themes-summertime' IS NOT an official extension to the
Modus themes and DOES NOT comply with its lofty accessibility
standards. It is included in the official manual as guidance for
those who want to make use of the color overriding facility we
provide."
:init-value nil
:global t
(if modus-themes-summertime
(setq modus-themes-operandi-color-overrides
'((bg-main . "#fff0f2")
(bg-dim . "#fbe6ef")
(bg-alt . "#f5dae6")
(bg-hl-line . "#fad8e3")
(bg-active . "#efcadf")
(bg-inactive . "#f3ddef")
(bg-active-accent . "#ffbbef")
(bg-region . "#dfc5d1")
(bg-region-accent . "#efbfef")
(bg-region-accent-subtle . "#ffd6ef")
(bg-header . "#edd3e0")
(bg-tab-active . "#ffeff2")
(bg-tab-inactive . "#f8d3ef")
(bg-tab-inactive-accent . "#ffd9f5")
(bg-tab-inactive-alt . "#e5c0d5")
(bg-tab-inactive-alt-accent . "#f3cce0")
(fg-main . "#543f78")
(fg-dim . "#5f476f")
(fg-alt . "#7f6f99")
(fg-unfocused . "#8f6f9f")
(fg-active . "#563068")
(fg-inactive . "#8a5698")
(fg-docstring . "#5f5fa7")
(fg-comment-yellow . "#a9534f")
(fg-escape-char-construct . "#8b207f")
(fg-escape-char-backslash . "#a06d00")
(bg-special-cold . "#d3e0f4")
(bg-special-faint-cold . "#e0efff")
(bg-special-mild . "#c4ede0")
(bg-special-faint-mild . "#e0f0ea")
(bg-special-warm . "#efd0c4")
(bg-special-faint-warm . "#ffe4da")
(bg-special-calm . "#f0d3ea")
(bg-special-faint-calm . "#fadff9")
(fg-special-cold . "#405fb8")
(fg-special-mild . "#407f74")
(fg-special-warm . "#9d6f4f")
(fg-special-calm . "#af509f")
(bg-completion . "#ffc5e5")
(bg-completion-subtle . "#f7cfef")
(red . "#ed2f44")
(red-alt . "#e0403d")
(red-alt-other . "#e04059")
(red-faint . "#ed4f44")
(red-alt-faint . "#e0603d")
(red-alt-other-faint . "#e06059")
(green . "#217a3c")
(green-alt . "#417a1c")
(green-alt-other . "#006f3c")
(green-faint . "#318a4c")
(green-alt-faint . "#518a2c")
(green-alt-other-faint . "#20885c")
(yellow . "#b06202")
(yellow-alt . "#a95642")
(yellow-alt-other . "#a06f42")
(yellow-faint . "#b07232")
(yellow-alt-faint . "#a96642")
(yellow-alt-other-faint . "#a08042")
(blue . "#275ccf")
(blue-alt . "#475cc0")
(blue-alt-other . "#3340ef")
(blue-faint . "#476ce0")
(blue-alt-faint . "#575ccf")
(blue-alt-other-faint . "#3f60d7")
(magenta . "#bf317f")
(magenta-alt . "#d033c0")
(magenta-alt-other . "#844fe4")
(magenta-faint . "#bf517f")
(magenta-alt-faint . "#d053c0")
(magenta-alt-other-faint . "#846fe4")
(cyan . "#007a9f")
(cyan-alt . "#3f709f")
(cyan-alt-other . "#107f7f")
(cyan-faint . "#108aaf")
(cyan-alt-faint . "#3f80af")
(cyan-alt-other-faint . "#3088af")
(red-active . "#cd2f44")
(green-active . "#116a6c")
(yellow-active . "#993602")
(blue-active . "#475ccf")
(magenta-active . "#7f2ccf")
(cyan-active . "#007a8f")
(red-nuanced-bg . "#ffdbd0")
(red-nuanced-fg . "#ed6f74")
(green-nuanced-bg . "#dcf0dd")
(green-nuanced-fg . "#3f9a4c")
(yellow-nuanced-bg . "#fff3aa")
(yellow-nuanced-fg . "#b47232")
(blue-nuanced-bg . "#e3e3ff")
(blue-nuanced-fg . "#201f6f")
(magenta-nuanced-bg . "#fdd0ff")
(magenta-nuanced-fg . "#c0527f")
(cyan-nuanced-bg . "#dbefff")
(cyan-nuanced-fg . "#0f3f60")
(bg-diff-heading . "#b7cfe0")
(fg-diff-heading . "#041645")
(bg-diff-added . "#d6f0d6")
(fg-diff-added . "#004520")
(bg-diff-changed . "#fcefcf")
(fg-diff-changed . "#524200")
(bg-diff-removed . "#ffe0ef")
(fg-diff-removed . "#891626")
(bg-diff-refine-added . "#84cfa4")
(fg-diff-refine-added . "#002a00")
(bg-diff-refine-changed . "#cccf8f")
(fg-diff-refine-changed . "#302010")
(bg-diff-refine-removed . "#da92b0")
(fg-diff-refine-removed . "#500010")
(bg-diff-focus-added . "#a6e5c6")
(fg-diff-focus-added . "#002c00")
(bg-diff-focus-changed . "#ecdfbf")
(fg-diff-focus-changed . "#392900")
(bg-diff-focus-removed . "#efbbcf")
(fg-diff-focus-removed . "#5a0010"))
modus-themes-vivendi-color-overrides
'((bg-main . "#25152a")
(bg-dim . "#2a1930")
(bg-alt . "#382443")
(bg-hl-line . "#332650")
(bg-active . "#463358")
(bg-inactive . "#2d1f3a")
(bg-active-accent . "#50308f")
(bg-region . "#5d4a67")
(bg-region-accent . "#60509f")
(bg-region-accent-subtle . "#3f285f")
(bg-header . "#3a2543")
(bg-tab-active . "#26162f")
(bg-tab-inactive . "#362647")
(bg-tab-inactive-accent . "#36265a")
(bg-tab-inactive-alt . "#3e2f5a")
(bg-tab-inactive-alt-accent . "#3e2f6f")
(fg-main . "#debfe0")
(fg-dim . "#d0b0da")
(fg-alt . "#ae85af")
(fg-unfocused . "#8e7f9f")
(fg-active . "#cfbfef")
(fg-inactive . "#b0a0c0")
(fg-docstring . "#c8d9f7")
(fg-comment-yellow . "#cf9a70")
(fg-escape-char-construct . "#ff75aa")
(fg-escape-char-backslash . "#dbab40")
(bg-special-cold . "#2a3f58")
(bg-special-faint-cold . "#1e283f")
(bg-special-mild . "#0f3f31")
(bg-special-faint-mild . "#0f281f")
(bg-special-warm . "#44331f")
(bg-special-faint-warm . "#372213")
(bg-special-calm . "#4a314f")
(bg-special-faint-calm . "#3a223f")
(fg-special-cold . "#c0b0ff")
(fg-special-mild . "#bfe0cf")
(fg-special-warm . "#edc0a6")
(fg-special-calm . "#ff9fdf")
(bg-completion . "#502d70")
(bg-completion-subtle . "#451d65")
(red . "#ff5f6f")
(red-alt . "#ff8f6d")
(red-alt-other . "#ff6f9d")
(red-faint . "#ffa0a0")
(red-alt-faint . "#f5aa80")
(red-alt-other-faint . "#ff9fbf")
(green . "#51ca5c")
(green-alt . "#71ca3c")
(green-alt-other . "#51ca9c")
(green-faint . "#78bf78")
(green-alt-faint . "#99b56f")
(green-alt-other-faint . "#88bf99")
(yellow . "#f0b262")
(yellow-alt . "#f0e242")
(yellow-alt-other . "#d0a272")
(yellow-faint . "#d2b580")
(yellow-alt-faint . "#cabf77")
(yellow-alt-other-faint . "#d0ba95")
(blue . "#778cff")
(blue-alt . "#8f90ff")
(blue-alt-other . "#8380ff")
(blue-faint . "#82b0ec")
(blue-alt-faint . "#a0acef")
(blue-alt-other-faint . "#80b2f0")
(magenta . "#ff70cf")
(magenta-alt . "#ff77f0")
(magenta-alt-other . "#ca7fff")
(magenta-faint . "#e0b2d6")
(magenta-alt-faint . "#ef9fe4")
(magenta-alt-other-faint . "#cfa6ff")
(cyan . "#30cacf")
(cyan-alt . "#60caff")
(cyan-alt-other . "#40b79f")
(cyan-faint . "#90c4ed")
(cyan-alt-faint . "#a0bfdf")
(cyan-alt-other-faint . "#a4d0bb")
(red-active . "#ff6059")
(green-active . "#64dc64")
(yellow-active . "#ffac80")
(blue-active . "#4fafff")
(magenta-active . "#cf88ff")
(cyan-active . "#50d3d0")
(red-nuanced-bg . "#440a1f")
(red-nuanced-fg . "#ffcccc")
(green-nuanced-bg . "#002904")
(green-nuanced-fg . "#b8e2b8")
(yellow-nuanced-bg . "#422000")
(yellow-nuanced-fg . "#dfdfb0")
(blue-nuanced-bg . "#1f1f5f")
(blue-nuanced-fg . "#bfd9ff")
(magenta-nuanced-bg . "#431641")
(magenta-nuanced-fg . "#e5cfef")
(cyan-nuanced-bg . "#042f49")
(cyan-nuanced-fg . "#a8e5e5")
(bg-diff-heading . "#304466")
(fg-diff-heading . "#dae7ff")
(bg-diff-added . "#0a383a")
(fg-diff-added . "#94ba94")
(bg-diff-changed . "#2a2000")
(fg-diff-changed . "#b0ba9f")
(bg-diff-removed . "#50163f")
(fg-diff-removed . "#c6adaa")
(bg-diff-refine-added . "#006a46")
(fg-diff-refine-added . "#e0f6e0")
(bg-diff-refine-changed . "#585800")
(fg-diff-refine-changed . "#ffffcc")
(bg-diff-refine-removed . "#952838")
(fg-diff-refine-removed . "#ffd9eb")
(bg-diff-focus-added . "#1d4c3f")
(fg-diff-focus-added . "#b4dfb4")
(bg-diff-focus-changed . "#424200")
(fg-diff-focus-changed . "#d0daaf")
(bg-diff-focus-removed . "#6f0f39")
(fg-diff-focus-removed . "#eebdba")))
(setq modus-themes-operandi-color-overrides nil
modus-themes-vivendi-color-overrides nil)))
Font configurations for Org and others
The themes are designed to optionally cope well with mixed font
configurations. This mostly concerns org-mode
and markdown-mode
, though
expect to find it elsewhere like in Info-mode
.
In practice it means that the user can safely opt for a more
prose-friendly proportionately spaced typeface as their default, while
spacing-sensitive elements like tables and inline code always use a
monospaced font, by inheriting from the fixed-pitch
face.
Users can try the built-in
M-x variable-pitch-mode
to see the effect in action.
To make everything use your desired font families, you need to configure
the variable-pitch
(proportional spacing) and fixed-pitch
(monospaced)
faces respectively. It may also be convenient to set your main typeface
by configuring the default
face the same way.
[ The fontaine
package on GNU ELPA (by the author of the modus-themes)
is designed to handle this case. ]
Put something like this in your initialization file (also consider
reading the doc string of set-face-attribute
):
;; Main typeface
(set-face-attribute 'default nil :family "DejaVu Sans Mono" :height 110)
;; Proportionately spaced typeface
(set-face-attribute 'variable-pitch nil :family "DejaVu Serif" :height 1.0)
;; Monospaced typeface
(set-face-attribute 'fixed-pitch nil :family "DejaVu Sans Mono" :height 1.5)
Or employ the face-attribute
function to read an existing value, such as
if you want to make fixed-pitch
use the font family of the default
face:
(set-face-attribute 'fixed-pitch nil :family (face-attribute 'default :family))
The next section shows how to make those work in a more elaborate setup that is robust to changes between the Modus themes.
Configure bold and italic faces.
Note the differences in the :height
property. The default
face must
specify an absolute value, which is the point size × 10. So if you want
to use a font at point size 11
, you set the height to 110
.[fn:: :height
values do not need to be rounded to multiples of ten: the likes of 115
are perfectly valid—some typefaces will change to account for those
finer increments.] Whereas every other face must either not specify a
height or have a value that is relative to the default, represented as a
floating point. If you use an integer, then that means an absolute
height. This is of paramount importance: it ensures that all fonts can
scale gracefully when using something like the text-scale-adjust
command
which only operates on the base font size (i.e. the default
face's
absolute height).
Configure bold and italic faces
The Modus themes do not hardcode a :weight
or :slant
attribute in the
thousands of faces they cover. Instead, they configure the generic
faces called bold
and italic
to use the appropriate styles and then
instruct all relevant faces that require emphasis to inherit from them.
This practically means that users can change the particularities of what
it means for a construct to be bold/italic, by tweaking the bold
and
italic
faces. Cases where that can be useful include:
- The default typeface does not have a variant with slanted glyphs (e.g. Fira Mono/Code as of this writing on 2021-07-07), so the user wants to add another family for the italics, such as Hack.
- The typeface of choice provides a multitude of weights and the user
prefers the light one by default. To prevent the bold weight from
being too heavy compared to the light one, they opt to make
bold
use a semibold weight. - The typeface distinguishes between oblique and italic forms by
providing different font variants (the former are just slanted
versions of the upright forms, while the latter have distinguishing
features as well). In this case, the user wants to specify the font
that applies to the
italic
face.
To achieve those effects, one must first be sure that the fonts they use have support for those features. It then is a matter of following the instructions for all typeface tweaks.
Font configurations for Org and others.
In this example, we set the default font family to Fira Code, while we choose to render italics in the Hack typeface (obviously you need to pick fonts that work well together):
(set-face-attribute 'default nil :family "Fira Code" :height 110)
(set-face-attribute 'italic nil :family "Hack")
And here we play with different weights, using Source Code Pro:
(set-face-attribute 'default nil :family "Source Code Pro" :height 110 :weight 'light)
(set-face-attribute 'bold nil :weight 'semibold)
To reset the font family, one can use this:
(set-face-attribute 'italic nil :family 'unspecified)
To ensure that the effects persist after switching between the Modus themes (such as with
M-x modus-themes-toggle
), the user needs to write their configurations to a function and pass it to themodus-themes-after-load-theme-hook
. This is necessary because themes
set the styles of faces upon activation, overriding prior values where
conflicts occur between the previous and the current states (otherwise
changing themes would not be possible).
A theme-agnostic hook for theme loading.
This is a minimal setup to preserve font configurations across theme
load phases. For a more permanent setup, it is better to rely on the
custom-set-faces
function: set-face-attribute
works just fine, though it
probably is better suited for quick previews or for smaller scale
operations (custom-set-faces
follows the format used in the source code
of the themes, which can make it easier to redefine faces in bulk).
;; our generic function
(defun my-modes-themes-bold-italic-faces ()
(set-face-attribute 'default nil :family "Source Code Pro" :height 110)
(set-face-attribute 'bold nil :weight 'semibold))
;; or use this if you configure a lot of face and attributes and
;; especially if you plan to use `modus-themes-with-colors', as shown
;; elsewhere in the manual
(defun my-modes-themes-bold-italic-faces ()
(custom-set-faces
'(default ((t :family "Source Code Pro" :height 110)))
'(bold ((t :weight semibold)))))
;; and here is the hook
(add-hook 'modus-themes-after-load-theme-hook #'my-modes-themes-bold-italic-faces)
Custom Org todo keyword and priority faces
Users of org-mode
have the option to configure various keywords and
priority cookies to better match their workflow. User options are
org-todo-keyword-faces
and org-priority-faces
.
As those are meant to be custom faces, it is futile to have the themes guess what each user wants to use, which keywords to target, and so on. Instead, we can provide guidelines on how to customize things to one's liking with the intent of retaining the overall aesthetic of the themes.
Please bear in mind that the end result of those is not controlled by
the active Modus theme but by how Org maps faces to its constructs.
Editing those while org-mode
is active requires re-initialization of the
mode with
M-x org-mode-restart
for changes to take effect.Let us assume you wish to visually differentiate your keywords. You have something like this:
(setq org-todo-keywords
'((sequence "TODO(t)" "|" "DONE(D)" "CANCEL(C)")
(sequence "MEET(m)" "|" "MET(M)")
(sequence "STUDY(s)" "|" "STUDIED(S)")
(sequence "WRITE(w)" "|" "WROTE(W)")))
You could then use a variant of the following to inherit from a face
that uses the styles you want and also to preserve the properties
applied by the org-todo
face (in case there is a difference between the
two):
(setq org-todo-keyword-faces
'(("MEET" . '(bold org-todo))
("STUDY" . '(warning org-todo))
("WRITE" . '(shadow org-todo))))
This will refashion the keywords you specify, while letting the other
items in org-todo-keywords
use their original styles (which are defined
in the org-todo
and org-done
faces).
If you want back the defaults, try specifying just the org-todo
face:
(setq org-todo-keyword-faces
'(("MEET" . org-todo)
("STUDY" . org-todo)
("WRITE" . org-todo)))
When you inherit from multiple faces, you need to quote the list as
shown further above. The order is significant: the first entry is
applied on top of the second, overriding any properties that are
explicitly set for both of them: any property that is not specified is
not overridden, so, for example, if org-todo
has a background and a
foreground, while font-lock-type-face
only has a foreground, the merged
face will include the background of the former and the foreground of the
latter. If you do not want to blend multiple faces, you do not need a
quoted list. A pattern of keyword . face
will suffice.
Both approaches can be used simultaneously, as illustrated in this configuration of the priority cookies:
(setq org-priority-faces
'((?A . '(bold org-priority))
(?B . org-priority)
(?C . '(shadow org-priority))))
To find all the faces that are loaded in your current Emacs session, use as well and then specify the name of each of those Org variables demonstrated above. Their documentation strings will offer you further guidance.
Recall that the themes let you retrieve a color from their palette. Do it if you plan to control face attributes.
Custom Org emphasis faces
Org provides the user option org-emphasis-alist
which associates a
character with a face, list of faces, or face attributes. The default
specification of that variable looks like this:
(setq org-emphasis-alist
'(("*" bold)
("/" italic)
("_" underline)
("=" org-verbatim verbatim)
("~" org-code verbatim)
("+" (:strike-through t))))
With the exception of org-verbatim
and org-code
faces, everything else
uses the corresponding type of emphasis: a bold typographic weight, or
italicized, underlined, and struck through text.
The best way for users to add some extra attributes, such as a foreground color, is to define their own faces and assign them to the given emphasis marker/character.
This is a custom face that extends the standard bold
face with a red
foreground value (so it colorises the text in addition to the bold
weight):
(defface my-org-emphasis-bold
'((default :inherit bold)
(((class color) (min-colors 88) (background light))
:foreground "#a60000")
(((class color) (min-colors 88) (background dark))
:foreground "#ff8059"))
"My bold emphasis for Org.")
This face definition reads as follows:
- Always inherit the
bold
face (Configure bold and italic faces). - For versions of Emacs that support at least 88 colors (graphical
Emacs, for example) and use a light background, apply the
#a60000
value. - For the same kind of Emacs that has a dark background use the
#ff8059
color instead.
Same principle for how to extend italic
and underline
with, for example,
green and yellow hues, respectively:
(defface my-org-emphasis-italic
'((default :inherit italic)
(((class color) (min-colors 88) (background light))
:foreground "#005e00")
(((class color) (min-colors 88) (background dark))
:foreground "#44bc44"))
"My italic emphasis for Org.")
(defface my-org-emphasis-underline
'((default :inherit underline)
(((class color) (min-colors 88) (background light))
:foreground "#813e00")
(((class color) (min-colors 88) (background dark))
:foreground "#d0bc00"))
"My underline emphasis for Org.")
In the case of a strike-through effect, we have no generic face to inherit from, so we can write it as follows to also change the foreground to a more subtle gray:
(defface my-org-emphasis-strike-through
'((default :strike-through t)
(((class color) (min-colors 88) (background light))
:foreground "#505050")
(((class color) (min-colors 88) (background dark))
:foreground "#a8a8a8"))
"My strike-through emphasis for Org.")
Or we can just change the color of the line that strikes through the text to, for example, a shade of red:
(defface my-org-emphasis-strike-through
'((((class color) (min-colors 88) (background light))
:strike-through "#972500")
(((class color) (min-colors 88) (background dark))
:strike-through "#ef8b50"))
"My strike-through emphasis for Org.")
It is possible to combine those effects:
(defface my-org-emphasis-strike-through
'((((class color) (min-colors 88) (background light))
:strike-through "#972500" :foreground "#505050")
(((class color) (min-colors 88) (background dark))
:strike-through "#ef8b50" :foreground "#a8a8a8"))
"My strike-through emphasis for Org.")
One may inspect the variables modus-themes-operandi-colors
and
modus-themes-vivendi-colors
for possible color values. Or call the
command modus-themes-list-colors
to show a buffer that previews each
entry in the palette.
Visualize the active Modus theme's palette.
Once we have defined the faces we need, we must update the
org-emphasis-alist
. Given that org-verbatim
and org-code
are already
styled by the themes, it probably is best not to edit them:
(setq org-emphasis-alist
'(("*" my-org-emphasis-bold)
("/" my-org-emphasis-italic)
("_" my-org-emphasis-underline)
("=" org-verbatim verbatim)
("~" org-code verbatim)
("+" my-org-emphasis-strike-through)))
That's it! For changes to take effect in already visited Org files, invoke
M-x org-mode-restart
.Update Org block delimiter fontification
As noted in the section about modus-themes-org-blocks
, Org contains a
variable that determines whether the block's begin and end lines are
extended to the edge of the window (Option for org-mode block styles).
The variable is org-fontify-whole-block-delimiter-line
.
Users who change the style of Org blocks from time to time may prefer to automatically update delimiter line fontification, such as with the following setup:
(defun my-modus-themes-org-fontify-block-delimiter-lines ()
"Match `org-fontify-whole-block-delimiter-line' to theme style.
Run this function at the post theme load phase, such as with the
`modus-themes-after-load-theme-hook'."
(if (eq modus-themes-org-blocks 'gray-background)
(setq org-fontify-whole-block-delimiter-line t)
(setq org-fontify-whole-block-delimiter-line nil)))
(add-hook 'modus-themes-after-load-theme-hook
#'my-modus-themes-org-fontify-block-delimiter-lines)
Then
M-x org-mode-restart
for changes to take effect, though manual intervention can be circumvented by tweaking the function thus:(defun my-modus-themes-org-fontify-block-delimiter-lines ()
"Match `org-fontify-whole-block-delimiter-line' to theme style.
Run this function at the post theme load phase, such as with the
`modus-themes-after-load-theme-hook'."
(if (eq modus-themes-org-blocks 'gray-background)
(setq org-fontify-whole-block-delimiter-line t)
(setq org-fontify-whole-block-delimiter-line nil))
(when (derived-mode-p 'org-mode)
(font-lock-flush)))
Measure color contrast
The themes provide the functions modus-themes-wcag-formula
and
modus-themes-contrast
. The former is a direct implementation of the
WCAG formula: <https://www.w3.org/TR/WCAG20-TECHS/G18.html>. It
calculates the relative luminance of a color value that is expressed in
hexadecimal RGB notation. While the latter function is just a
convenient wrapper for comparing the relative luminance between two
colors.
In practice, one needs to work only with modus-themes-contrast
. It
accepts two color values and returns their contrast ratio. Values range
from 1 to 21 (lowest to highest). The themes are designed to always be
equal or higher than 7 for each combination of background and foreground
that they use (this is the WCAG AAA standard—the most demanding of its
kind).
A couple of examples (rounded numbers):
;; Pure white with pure green
(modus-themes-contrast "#ffffff" "#00ff00")
;; => 1.37
;; That is an outright inaccessible combo
;; Pure black with pure green
(modus-themes-contrast "#000000" "#00ff00")
;; => 15.3
;; That is a highly accessible combo
It does not matter which color value comes first. The ratio is always the same.
If one does not wish to read all the decimal points, it is possible to try something like this:
(format "%0.2f" (modus-themes-contrast "#000000" "#00ff00"))
While it is fine to perform such calculations on a case-by-case basis,
it is preferable to implement formulas and tables for more demanding
tasks. Such instruments are provided by org-mode
or orgtbl-mode
, both
of which are built into Emacs. Below is such a table that derives the
contrast ratio of all colors in the first column (pure red, green, blue)
relative to the color specified in the first row of the second column
(pure white) and rounds the results:
| | #ffffff | |---------+---------| | #ff0000 | 4.00 | | #00ff00 | 1.37 | | #0000ff | 8.59 | #+tblfm: $2='(modus-themes-contrast $1 @1$2);%0.2f
To measure color contrast one needs to start from a known value. This typically is the background. The Modus themes define an expanded palette in large part because certain colors are only meant to be used in combination with some others. Consult the source code for the minutia and relevant commentary.
Such knowledge may prove valuable while attempting to override some of the themes' colors: Override colors.
Load theme depending on time of day
While we do provide modus-themes-toggle
to manually switch between the
themes, users may also set up their system to perform such a task
automatically at sunrise and sunset.
This can be accomplished by specifying the coordinates of one's location using the built-in
solar.el
and then configuring thecircadian
package:
(use-package solar ; built-in
:config
(setq calendar-latitude 35.17
calendar-longitude 33.36))
(use-package circadian ; you need to install this
:ensure
:after solar
:config
(setq circadian-themes '((:sunrise . modus-operandi)
(:sunset . modus-vivendi)))
(circadian-setup))
Backdrop for pdf-tools
Most PDF files use a white background for their page, making it
impossible to discern the file's boundaries in the buffer while using
the Modus Operandi theme. To introduce a distinction between the
buffer's backdrop and the PDF page's background, the former must be
rendered as some shade of gray. Ideally, pdf-tools
would provide a face
that the themes could support directly, though this does not seem to be
the case for the time being. We must thus employ the face remapping
technique that is documented elsewhere in this document to change the
buffer-local value of the default
face.
To remap the buffer's backdrop, we start with a function like this one:
(defun my-pdf-tools-backdrop ()
(face-remap-add-relative
'default
`(:background ,(modus-themes-color 'bg-alt))))
(add-hook 'pdf-tools-enabled-hook #'my-pdf-tools-backdrop)
The idea is to assign that function to a hook that gets called when
pdf-tools
renders the document: pdf-tools-enabled-hook
. This is enough
when you only use one theme. However it has the downside of setting the
background color value only at render time. In other words, the face
remapping function does not get evaluated anew whenever the theme
changes, such as upon invoking
M-x modus-themes-toggle
.
To have our face remapping adapt gracefully while switching between the
Modus themes, we need to also account for the current theme and control
the activation of pdf-view-midnight-minor-mode
. To which end we arrive
at something like the following, which builds on the above example:
(defun my-pdf-tools-backdrop ()
(face-remap-add-relative
'default
`(:background ,(modus-themes-color 'bg-alt))))
(defun my-pdf-tools-midnight-mode-toggle ()
(when (derived-mode-p 'pdf-view-mode)
(if (eq (car custom-enabled-themes) 'modus-vivendi)
(pdf-view-midnight-minor-mode 1)
(pdf-view-midnight-minor-mode -1))
(my-pdf-tools-backdrop)))
(defun my-pdf-tools-themes-toggle ()
(mapc
(lambda (buf)
(with-current-buffer buf
(my-pdf-tools-midnight-mode-toggle)))
(buffer-list)))
(add-hook 'pdf-tools-enabled-hook #'my-pdf-tools-midnight-mode-toggle)
(add-hook 'modus-themes-after-load-theme-hook #'my-pdf-tools-themes-toggle)
With those in place, PDFs have a distinct backdrop for their page, while
buffers with major-mode as pdf-view-mode
automatically switches to dark
mode when modus-themes-toggle
is called.
Decrease mode line height
By default, the mode line of the Modus themes is set to 1 pixel width
for its :box
attribute. In contrast, the mode line of stock Emacs is -1
pixel. This small difference is considered necessary for the purposes
of accessibility as our out-of-the-box design has a prominent color
around the mode line (a border) to make its boundaries clear. With a
negative width the border and the text on the mode line can feel a bit
more difficult to read under certain scenaria.
Furthermore, the user option modus-themes-mode-line
(Mode line) does not
allow for such a negative value because there are many edge cases that
simply make for a counter-intuitive set of possibilities, such as a 0
value not being acceptable by the underlying face infrastructure, and
negative values greater than -2
not being particularly usable.
For these reasons, users who wish to decrease the overall height of the mode line must handle things on their own by implementing the methods for face customization documented herein.
One such method is to create a function that configures the desired
faces and hook it to modus-themes-after-load-theme-hook
so that it
persists while switching between the Modus themes with the command
modus-themes-toggle
.
This one simply disables the box altogether, which will reduce the height of the mode lines, but also remove their border:
(defun my-modus-themes-custom-faces ()
(set-face-attribute 'mode-line nil :box nil)
(set-face-attribute 'mode-line-inactive nil :box nil))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
The above relies on the set-face-attribute
function, though users who
plan to reuse colors from the theme and do so at scale are better off
with the more streamlined combination of the modus-themes-with-colors
macro and custom-set-faces
.
As explained before in this document, this approach has a syntax that is consistent with the source code of the themes, so it probably is easier to reuse parts of the design.
The following emulates the stock Emacs style, while still using the colors of the Modus themes (whichever attribute is not explicitly stated is inherited from the underlying theme):
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
`(mode-line ((,class :box (:line-width -1 :style released-button))))
`(mode-line-inactive ((,class :box (:line-width -1 :color ,bg-region)))))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
And this one is like the out-of-the-box style of the Modus themes, but with the -1 height instead of 1:
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
`(mode-line ((,class :box (:line-width -1 :color ,fg-alt))))
`(mode-line-inactive ((,class :box (:line-width -1 :color ,bg-region)))))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
Finally, to also change the background color of the active mode line,
such as that it looks like the "accented" variant which is possible via
the user option modus-themes-mode-line
, the :background
attribute needs
to be specified as well:
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
`(mode-line ((,class :box (:line-width -1 :color ,fg-alt) :background ,bg-active-accent)))
`(mode-line-inactive ((,class :box (:line-width -1 :color ,bg-region)))))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
Toggle themes without reloading them
Users who have a stable setup and who only ever need to toggle between
the themes without triggering a full reload, are better off defining
their own command which calls enable-theme
instead of load-theme
:
(defun my-modus-themes-toggle ()
"Toggle between `modus-operandi' and `modus-vivendi' themes.
This uses `enable-theme' instead of the standard method of
`load-theme'. The technicalities are covered in the Modus themes
manual."
(interactive)
(pcase (modus-themes--current-theme)
('modus-operandi (progn (enable-theme 'modus-vivendi)
(disable-theme 'modus-operandi)))
('modus-vivendi (progn (enable-theme 'modus-operandi)
(disable-theme 'modus-vivendi)))
(_ (error "No Modus theme is loaded; evaluate `modus-themes-load-themes' first"))))
Differences between loading and enabling.
Recall that modus-themes-toggle
uses load-theme
.
A theme-agnostic hook for theme loading
The themes are designed with the intent to be useful to Emacs users of varying skill levels, from beginners to experts. This means that we try to make things easier by not expecting anyone reading this document to be proficient in Emacs Lisp or programming in general.
Such a case is with the use of the modus-themes-after-load-theme-hook
,
which runs after modus-themes-toggle
, modus-themes-load-operandi
, or
modus-themes-load-vivendi
is evaluated. We recommend using that hook
for advanced customizations, because (1) we know for sure that it is
available once the themes are loaded, and (2) anyone consulting this
manual, especially the sections on enabling and loading the themes, will
be in a good position to benefit from that hook.
Advanced users who have a need to switch between the Modus themes and other items will find that such a hook does not meet their requirements: it only works with the Modus themes and only with the aforementioned functions.
A theme-agnostic setup can be configured thus:
(defvar after-enable-theme-hook nil
"Normal hook run after enabling a theme.")
(defun run-after-enable-theme-hook (&rest _args)
"Run `after-enable-theme-hook'."
(run-hooks 'after-enable-theme-hook))
(advice-add 'enable-theme :after #'run-after-enable-theme-hook)
This creates the after-enable-theme-hook
and makes it run after each
call to enable-theme
, which means that it will work for all themes and
also has the benefit that it does not depend on functions such as
modus-themes-toggle
and the others mentioned above. enable-theme
is
called internally by load-theme
, so the hook works everywhere.
Now this specific piece of Elisp may be simple for experienced users, but it is not easy to read for newcomers, including the author of the Modus themes for the first several months of their time as an Emacs user. Hence our hesitation to recommend it as part of the standard setup of the Modus themes (it is generally a good idea to understand what the implications are of advising a function).
Diffs with only the foreground
Buffers that show differences between versions of a file or buffer, such
as in diff-mode
and ediff
always use color-coded background and
foreground combinations.
User may, however, prefer a style that removes the color-coded
backgrounds from regular changes while keeping them for word-wise (aka
"refined") changes—backgrounds for word-wise diffs are helpful in
context. To make this happen, one can use the modus-themes-with-colors
macro (Face specs at scale using the themes' palette):
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
`(modus-themes-diff-added ((,class :background unspecified :foreground ,green))) ; OR ,blue for deuteranopia
`(modus-themes-diff-changed ((,class :background unspecified :foreground ,yellow)))
`(modus-themes-diff-removed ((,class :background unspecified :foreground ,red)))
`(modus-themes-diff-refine-added ((,class :background ,bg-diff-added :foreground ,fg-diff-added)))
;; `(modus-themes-diff-refine-added ((,class :background ,bg-diff-added-deuteran :foreground ,fg-diff-added-deuteran)))
`(modus-themes-diff-refine-changed ((,class :background ,bg-diff-changed :foreground ,fg-diff-changed)))
`(modus-themes-diff-refine-removed ((,class :background ,bg-diff-removed :foreground ,fg-diff-removed)))
`(modus-themes-diff-focus-added ((,class :background ,bg-dim :foreground ,green))) ; OR ,blue for deuteranopia
`(modus-themes-diff-focus-changed ((,class :background ,bg-dim :foreground ,yellow)))
`(modus-themes-diff-focus-removed ((,class :background ,bg-dim :foreground ,red)))
`(modus-themes-diff-heading ((,class :background ,bg-alt :foreground ,fg-main)))
`(diff-indicator-added ((,class :foreground ,green))) ; OR ,blue for deuteranopia
`(diff-indicator-changed ((,class :foreground ,yellow)))
`(diff-indicator-removed ((,class :foreground ,red)))
`(magit-diff-added ((,class :background unspecified :foreground ,green-faint)))
`(magit-diff-changed ((,class :background unspecified :foreground ,yellow-faint)))
`(magit-diff-removed ((,class :background unspecified :foreground ,red-faint)))
`(magit-diff-context-highlight ((,class :background ,bg-dim :foreground ,fg-dim))))))
;; This is so that the changes persist when switching between
;; `modus-operandi' and `modus-vivendi'.
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
This used to be an optional style of modus-themes-diffs
, but has been
removed since version 2.0.0
to ensure that the accessibility standard
and aesthetic quality of the themes is not compromised.
Ediff without diff color-coding
Ediff uses the same color-coding as ordinary diffs in diff-mode
, Magit,
etc. (Option for diff buffer looks). This is consistent with the
principle of least surprise.
Users may, however, prefer to treat Ediff differently on the premise
that it does not need any particular color-coding to show added or
removed lines/words: it does not use the +
or -
markers, after all.
This can be achieved by customizing the Ediff faces with color
combinations that do not carry the same connotations as those of diffs.
Consider this example, which leverages the modus-themes-with-colors
macro (Face specs at scale using the themes' palette):
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
`(ediff-current-diff-A ((,class :inherit unspecified :background ,bg-special-faint-cold :foreground ,fg-special-cold)))
`(ediff-current-diff-B ((,class :inherit unspecified :background ,bg-special-faint-warm :foreground ,fg-special-warm)))
`(ediff-current-diff-C ((,class :inherit unspecified :background ,bg-special-faint-calm :foreground ,fg-special-calm)))
`(ediff-fine-diff-A ((,class :inherit unspecified :background ,bg-special-cold :foreground ,fg-special-cold)))
`(ediff-fine-diff-B ((,class :inherit unspecified :background ,bg-special-warm :foreground ,fg-special-warm)))
`(ediff-fine-diff-C ((,class :inherit unspecified :background ,bg-special-calm :foreground ,fg-special-calm))))))
;; This is so that the changes persist when switching between
;; `modus-operandi' and `modus-vivendi'.
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
Remove the :foreground
and its value to preserve the underlying
coloration.
Near-monochrome syntax highlighting
While the Modus themes do provide a user option to control the overall style of syntax highlighting in programming major modes, they do not cover the possibility of a monochromatic or near-monochromatic design (Option for syntax highlighting). This is due to the multitude of preferences involved: one may like comments to be styled with an accent value, another may want certain constructs to be bold, a third may apply italics to doc strings but not comments… The possibilities are virtually endless. As such, this sort of design is best handled at the user level in accordance with the information furnished elsewhere in this manual.
Case-by-case face specs using the themes' palette.
Face specs at scale using the themes' palette.
The gist is that we want to override the font-lock faces. For our
changes to persist while switching between modus-operandi
and
modus-vivendi
we wrap our face overrides in a function that we hook to
modus-themes-after-load-theme-hook
.
Users who want to replicate the structure of the themes' source code are
advised to use the examples with custom-set-faces
. Those who prefer a
different approach can use the snippets which call set-face-attribute
.
Below are the code blocks.
The following uses a yellow accent value for comments and green hues for
strings. Regexp grouping constructs have color values that work in the
context of a green string. All other elements use the main foreground
color, except warnings such as the user-error
function in Elisp
buffers which gets a subtle red tint (not to be confused with the
warning
face which is used for genuine warnings). Furthermore, notice
the modus-themes-bold
and modus-themes-slant
which apply the
preference set in the user options modus-themes-bold-constructs
and
modus-themes-italic-constructs
, respectively. Users who do not want
this conditionally must replace these faces with bold
and italic
respectively (or unspecified
to disable the effect altogether).
;; This is the hook. It will not be replicated across all code samples.
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-subtle-syntax)
(defun my-modus-themes-subtle-syntax ()
(modus-themes-with-colors
(custom-set-faces
`(font-lock-builtin-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-comment-delimiter-face ((,class :inherit font-lock-comment-face)))
`(font-lock-comment-face ((,class :inherit unspecified :foreground ,fg-comment-yellow)))
`(font-lock-constant-face ((,class :foreground unspecified)))
`(font-lock-doc-face ((,class :inherit modus-themes-slant :foreground ,fg-special-mild)))
`(font-lock-function-name-face ((,class :foreground unspecified)))
`(font-lock-keyword-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-negation-char-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-preprocessor-face ((,class :foreground unspecified)))
`(font-lock-regexp-grouping-backslash ((,class :inherit bold :foreground ,yellow)))
`(font-lock-regexp-grouping-construct ((,class :inherit bold :foreground ,blue-alt-other)))
`(font-lock-string-face ((,class :foreground ,green-alt-other)))
`(font-lock-type-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-variable-name-face ((,class :foreground unspecified)))
`(font-lock-warning-face ((,class :inherit modus-themes-bold :foreground ,red-nuanced-fg))))))
;; Same as above with `set-face-attribute' instead of `custom-set-faces'
(defun my-modus-themes-subtle-syntax ()
(modus-themes-with-colors
(set-face-attribute 'font-lock-builtin-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-comment-delimiter-face nil :inherit 'font-lock-comment-face)
(set-face-attribute 'font-lock-comment-face nil :inherit 'unspecified :foreground fg-comment-yellow)
(set-face-attribute 'font-lock-constant-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-doc-face nil :inherit 'modus-themes-slant :foreground fg-special-mild)
(set-face-attribute 'font-lock-function-name-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-keyword-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-negation-char-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-preprocessor-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-regexp-grouping-backslash nil :inherit 'bold :foreground yellow)
(set-face-attribute 'font-lock-regexp-grouping-construct nil :inherit 'bold :foreground blue-alt-other)
(set-face-attribute 'font-lock-string-face nil :foreground green-alt-other)
(set-face-attribute 'font-lock-type-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-variable-name-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-warning-face nil :inherit 'modus-themes-bold :foreground red-nuanced-fg)))
The following sample is the same as above, except strings are blue and comments are gray. Regexp constructs are adapted accordingly.
(defun my-modus-themes-subtle-syntax ()
(modus-themes-with-colors
(custom-set-faces
`(font-lock-builtin-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-comment-delimiter-face ((,class :inherit font-lock-comment-face)))
`(font-lock-comment-face ((,class :inherit unspecified :foreground ,fg-alt)))
`(font-lock-constant-face ((,class :foreground unspecified)))
`(font-lock-doc-face ((,class :inherit modus-themes-slant :foreground ,fg-docstring)))
`(font-lock-function-name-face ((,class :foreground unspecified)))
`(font-lock-keyword-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-negation-char-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-preprocessor-face ((,class :foreground unspecified)))
`(font-lock-regexp-grouping-backslash ((,class :inherit bold :foreground ,fg-escape-char-backslash)))
`(font-lock-regexp-grouping-construct ((,class :inherit bold :foreground ,fg-escape-char-construct)))
`(font-lock-string-face ((,class :foreground ,blue-alt)))
`(font-lock-type-face ((,class :inherit modus-themes-bold :foreground unspecified)))
`(font-lock-variable-name-face ((,class :foreground unspecified)))
`(font-lock-warning-face ((,class :inherit modus-themes-bold :foreground ,red-nuanced-fg))))))
;; Same as above with `set-face-attribute' instead of `custom-set-faces'
(defun my-modus-themes-subtle-syntax ()
(modus-themes-with-colors
(set-face-attribute 'font-lock-builtin-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-comment-delimiter-face nil :inherit 'font-lock-comment-face)
(set-face-attribute 'font-lock-comment-face nil :inherit 'unspecified :foreground fg-alt)
(set-face-attribute 'font-lock-constant-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-doc-face nil :inherit 'modus-themes-slant :foreground fg-docstring)
(set-face-attribute 'font-lock-function-name-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-keyword-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-negation-char-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-preprocessor-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-regexp-grouping-backslash nil :inherit 'bold :foreground fg-escape-char-backslash)
(set-face-attribute 'font-lock-regexp-grouping-construct nil :inherit 'bold :foreground fg-escape-char-construct)
(set-face-attribute 'font-lock-string-face nil :foreground blue-alt)
(set-face-attribute 'font-lock-type-face nil :inherit 'modus-themes-bold :foreground 'unspecified)
(set-face-attribute 'font-lock-variable-name-face nil :foreground 'unspecified)
(set-face-attribute 'font-lock-warning-face nil :inherit 'modus-themes-bold :foreground red-nuanced-fg)))
Custom hl-todo colors
The hl-todo
package provides the user option hl-todo-keyword-faces
:
it specifies a pair of keyword and corresponding color value. The Modus
themes configure that option in the interest of legibility. While this
works for our purposes, users may still prefer to apply their custom
values, in which case the following approach is necessary:
(defun my-modus-themes-hl-todo-faces ()
(setq hl-todo-keyword-faces '(("TODO" . "#ff0000")
("HACK" . "#ffff00")
("XXX" . "#00ffff")
("NOTE" . "#ff00ff"))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-hl-todo-faces)
Or include a let
form, if needed:
(defun my-modus-themes-hl-todo-faces ()
(let ((red "#ff0000")
(blue "#0000ff"))
(setq hl-todo-keyword-faces `(("TODO" . ,blue)
("HACK" . ,red)
("XXX" . ,red)
("NOTE" . ,blue)))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-hl-todo-faces)
Normally, we do not touch user options, though this is an exception: otherwise the defaults are not always legible.
Add support for solaire-mode
The solaire-mode
package dims the background of what it considers
ancillary "UI" buffers, such as the minibuffer and Dired buffers. The
Modus themes used to support Solaire on the premise that the user was
(i) opting in to it, (ii) understood why certain buffers were more gray,
and (iii) knew what other adjustments had to be made to prevent broken
visuals (e.g. the default style of the modus-themes-completions
uses a
subtle gray background for the selection, which with Solaire becomes
practically invisible).
However, the assumption that users opt in to this feature does not
always hold true. There are cases where it is enabled by defaultsuch as
in the popular Doom Emacs configuration. Thus, the unsuspecting user
who loads modus-operandi
or modus-vivendi
without the requisite
customizations is getting a sub-par experience; an experience that we
did not intend and cannot genuinely fix.
Because the Modus themes are meant to work everywhere, we cannot make an exception for Doom Emacs and/or Solaire users. Furthermore, we shall not introduce hacks, such as by adding a check in all relevant faces to be adjusted based on Solaire or whatever other package. Hacks of this sort are unsustainable and penalize the entire userbase. Besides, the themes are built into Emacs and we must keep their standard high.
The fundamental constraint with Solaire is that Emacs does not have a real distinction between "content" and "UI" buffers. For themes to work with Solaire, they need to be designed around that package. Such is an arrangement that compromises on our accessibility standards and/or hinders our efforts to provide the best possible experience while using the Modus themes.
As such, solaire-mode
is not—and will not be—supported by the
Modus themes (or any other of my themes, for that matter). Users who
want it must style the faces manually. Below is some sample code, based
on what we cover at length elsewhere in this manual:
Face specs at scale using the themes' palette.
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
`(solaire-default-face ((,class :inherit default :background ,bg-alt :foreground ,fg-dim)))
`(solaire-line-number-face ((,class :inherit solaire-default-face :foreground ,fg-unfocused)))
`(solaire-hl-line-face ((,class :background ,bg-active)))
`(solaire-org-hide-face ((,class :background ,bg-alt :foreground ,bg-alt))))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
As always, re-load the theme for changes to take effect.
Face coverage
The Modus themes try to provide as close to full face coverage as possible. This is necessary to ensure a consistently accessible reading experience across all available interfaces.
Full support for packages or face groups
This list will always be updated to reflect the current state of the
project. The idea is to offer an overview of the known status of all
affected face groups. The items with an appended asterisk *
tend to
have lots of extensions, so the "full support" may not be 100% true…
- ace-window
- alert
- all-the-icons
- all-the-icons-dired
- all-the-icons-ibuffer
- annotate
- ansi-color
- anzu
- apropos
- artbollocks-mode
- auctex and TeX
- auto-dim-other-buffers
- avy
- awesome-tray
- bbdb
- binder
- bm
- bongo
- boon
- bookmark
- breakpoint (provided by the built-in
gdb-mi.el
library) - calendar and diary
- calfw
- calibredb
- centaur-tabs
- cfrs
- change-log and log-view (such as
vc-print-log
,vc-print-root-log
) - chart
- cider
- circe
- citar
- color-rg
- column-enforce-mode
- company-mode*
- company-posframe
- compilation-mode
- completions
- consult
- corfu
- corfu-quick
- counsel*
- counsel-css
- cov
- cperl-mode
- crontab-mode
- css-mode
- csv-mode
- ctrlf
- custom (what you get with
M-x customize
) - dap-mode
- deadgrep
- debbugs
- deft
- denote
- devdocs
- dictionary
- diff-hl
- diff-mode
- dim-autoload
- dir-treeview
- dired
- dired-async
- dired-git
- dired-git-info
- dired-narrow
- dired-subtree
- diredfl
- diredp (dired+)
- display-fill-column-indicator-mode
- doom-modeline
- easy-jekyll
- ebdb
- ediff
- ein (Emacs IPython Notebook)
- eglot
- el-search
- eldoc-box
- elfeed
- elfeed-score
- elpher
- embark
- ement
- emms
- enh-ruby-mode (enhanced-ruby-mode)
- epa
- equake
- erc
- eros
- ert
- eshell
- eshell-fringe-status
- eshell-git-prompt
- eshell-prompt-extras (epe)
- eshell-syntax-highlighting
- evil* (evil-mode)
- evil-goggles
- evil-snipe
- evil-visual-mark-mode
- eww
- exwm
- eyebrowse
- fancy-dabbrev
- flycheck
- flycheck-color-mode-line
- flycheck-indicator
- flycheck-posframe
- flymake
- flyspell
- flx
- freeze-it
- focus
- fold-this
- font-lock (generic syntax highlighting)
- forge
- fountain (fountain-mode)
- geiser
- git-commit
- git-gutter (and variants)
- git-rebase
- git-timemachine
- gnus
- gotest
- golden-ratio-scroll-screen
- helm*
- helm-ls-git
- helm-switch-shell
- helm-xref
- helpful
- highlight-indentation
- highlight-numbers
- highlight-parentheses (Note on highlight-parentheses.el)
- highlight-thing
- hl-defined
- hl-fill-column
- hl-line-mode
- hl-todo
- hydra
- ibuffer
- icomplete
- icomplete-vertical
- ido-mode
- iedit
- iflipb
- image-dired
- imenu-list
- indium
- info
- info+ (info-plus)
- info-colors
- interaction-log
- ioccur
- isearch, occur, etc.
- ivy*
- ivy-posframe
- jira (org-jira)
- journalctl-mode
- js2-mode
- julia
- jupyter
- kaocha-runner
- keycast
- ledger-mode
- leerzeichen
- line numbers (
display-line-numbers-mode
and global variant) - lsp-mode
- lsp-ui
- macrostep
- magit
- magit-imerge
- make-mode
- man
- marginalia
- markdown-mode
- markup-faces (
adoc-mode
) - mentor
- messages
- mini-modeline
- minimap
- mmm-mode
- mode-line
- mood-line
- moody
- mpdel
- mu4e
- multiple-cursors
- nano-modeline
- neotree
- notmuch
- num3-mode
- nxml-mode
- olivetti
- orderless
- org*
- org-journal
- org-noter
- org-pomodoro
- org-recur
- org-roam
- org-superstar
- org-table-sticky-header
- org-tree-slide
- origami
- outline-mode
- outline-minor-faces
- package (what you get with
M-x list-packages
) - page-break-lines
- pandoc-mode
- paren-face
- pass
- pdf-tools
- persp-mode
- perspective
- phi-grep
- pomidor
- popup
- powerline
- powerline-evil
- prism (Note for prism.el)
- prescient
- proced
- prodigy
- pulse
- pyim
- quick-peek
- racket-mode
- rainbow-blocks
- rainbow-delimiters
- rcirc
- recursion-indicator
- regexp-builder (also known as
re-builder
) - rg (rg.el)
- ripgrep
- rmail
- ruler-mode
- selectrum
- selectrum-prescient
- semantic
- sesman
- shell-script-mode
- shortdoc
- show-paren-mode
- shr
- side-notes
- sieve-mode
- skewer-mode
- slime (slbd)
- sly
- smart-mode-line
- smartparens
- smerge
- spaceline
- speedbar
- spell-fu
- stripes
- suggest
- switch-window
- swiper
- sx
- symbol-overlay
- syslog-mode
- tab-bar-groups
- tab-bar-mode
- tab-line-mode
- table (built-in
table.el
) - telega
- telephone-line
- terraform-mode
- term
- textsec
- tomatinho
- transient (pop-up windows such as Magit's)
- trashed
- tree-sitter
- treemacs
- tty-menu
- tuareg
- typescript
- undo-tree
- vc ()
- vertico
- vertico-quick
- vimish-fold
- visible-mark
- visual-regexp
- vterm
- vundo
- wcheck-mode
- web-mode
- wgrep
- which-function-mode
- which-key
- whitespace-mode
- window-divider-mode
- winum
- writegood-mode
- woman
- xah-elisp-mode
- xref
- xterm-color (and ansi-colors)
- yaml-mode
- yasnippet
- ztree
Plus many other miscellaneous faces that are provided by Emacs.
Indirectly covered packages
These do not require any extra styles because they are configured to inherit from some basic faces or their dependencies which are directly supported by the themes.
- ag
- apt-sources-list
- buffer-expose
- bufler
- counsel-notmuch
- counsel-org-capture-string
- dashboard (emacs-dashboard)
- define-word
- disk-usage
- dtache
- dynamic-ruler
- easy-kill
- edit-indirect
- egerrit
- elfeed-summary
- evil-owl
- flyspell-correct
- fortran-mode
- git-walktree
- goggles
- highlight-defined
- highlight-escape-sequences (
hes-mode
) - i3wm-config-mode
- minibuffer-line
- no-emoji
- org-remark
- parrot
- perl-mode
- php-mode
- rjsx-mode
- side-hustle
- spell-fu
- swift-mode
- tab-bar-echo-area
- tide
- undo-hl
- vdiff
- vertico-indexed
- vertico-mouse
Notes on individual packages
This section covers information that may be of interest to users of individual packages.
Note on calendar.el weekday and weekend colors
By default, the
M-x calendar
interface differentiates weekdays from weekends by applying a gray color to the former and a faint red to the latter. The idea for this approach is that the weekend should serve as a subtle warning that no work is supposed to be done on that day, per the design of traditional calendars.
Users who prefer all days to look the same can configure the variable
calendar-weekend-days
to either use gray of weekdays or the faint red of
weekends uniformly.
;; All are treated like weekdays (gray color)
(setq calendar-weekend-days nil)
;; All are treated like weekends (red-faint color)
(setq calendar-weekend-days (number-sequence 0 6))
;; The default marks the Saturday and Sunday as the weekend
(setq calendar-weekend-days '(0 6))
For changes to take effect, the Calendar buffer needs to be generated anew.
Note on git-gutter in Doom Emacs
The git-gutter
and git-gutter-fr
packages default to drawing bitmaps
for the indicators they display (e.g. bitmap of a plus sign for added
lines). In Doom Emacs, these bitmaps are replaced with contiguous lines
which may look nicer, but require a change to the foreground of the
relevant faces to yield the desired color combinations.
Since this is Doom-specific, we urge users to apply changes in their local setup. Below is some sample code, based on what we cover at length elsewhere in this manual:
Face specs at scale using the themes' palette.
(defun my-modus-themes-custom-faces ()
(modus-themes-with-colors
(custom-set-faces
;; Replace green with blue if you use `modus-themes-deuteranopia'.
`(git-gutter-fr:added ((,class :foreground ,green-fringe-bg)))
`(git-gutter-fr:deleted ((,class :foreground ,red-fringe-bg)))
`(git-gutter-fr:modified ((,class :foreground ,yellow-fringe-bg))))))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-custom-faces)
As always, re-load the theme for changes to take effect.
If the above does not work, try this instead:
(after! modus-themes
(modus-themes-with-colors
(custom-set-faces
;; Replace green with blue if you use `modus-themes-deuteranopia'.
`(git-gutter-fr:added ((,class :foreground ,green-fringe-bg)))
`(git-gutter-fr:deleted ((,class :foreground ,red-fringe-bg)))
`(git-gutter-fr:modified ((,class :foreground ,yellow-fringe-bg))))))
Replace green-fringe-bg
with blue-fringe-bg
if you want to optimize
for red-green color deficiency.
Note on php-mode multiline comments
Depending on your build of Emacs and/or the environment it runs in,
multiline comments in PHP with the php-mode
package use the
font-lock-doc-face
instead of font-lock-comment-face
.
This seems to make all comments use the appropriate face:
(defun my-multine-comments ()
(setq-local c-doc-face-name 'font-lock-comment-face))
(add-hook 'php-mode-hook #'my-multine-comments)
As always, re-load the theme for changes to take effect.
Note on underlines in compilation buffers
Various buffers that produce compilation results or run tests on code apply an underline to the file names they reference or to relevant messages. Users may consider this unnecessary or excessive.
To outright disable the effect, use this (buffers need to be generated anew):
(setq compilation-message-face nil)
If some element of differentiation is still desired, a good option is to
render the affected text with the italic
face:
(setq compilation-message-face 'italic)
Note on inline Latex in Org buffers
Org can work with inline latex and related syntax. To actually fontify
those constructs, set the variable org-highlight-latex-and-related
to
the desired list of values (per its doc string). For example:
(setq org-highlight-latex-and-related '(latex script))
Remember to use
M-x org-mode-restart
for changes to take effect.Note on dimmer.el
The
dimmer.el
library by Neil Okamoto can be configured to automatically dim the colors of inactive Emacs windows. To guarantee consistent results with the Modus themes, we suggest some tweaks to the default styles, such as in this minimal setup:(use-package dimmer
:config
(setq dimmer-fraction 0.3)
(setq dimmer-adjustment-mode :foreground)
(setq dimmer-use-colorspace :rgb)
(dimmer-mode 1))
Of the above, we strongly recommend the RGB color space because it is the one that remains faithful to the hueness of the colors used by the themes. Whereas the default CIELAB space has a tendency to distort colors in addition to applying the dim effect, which can be somewhat disorienting.
The value of the dimmer-fraction
has been selected empirically. Users
might prefer to tweak it further (increasing it makes the dim effect
more pronounced).
Changing the dimmer-adjustment-mode
is a matter of preference. Though
because the Modus themes use black and white as their base colors, any
other value for that variable will turn the main background gray. This
inadvertently leads to the opposite of the intended utility of this
package: it draws too much attention to unfocused windows.
Note on display-fill-column-indicator-mode
The display-fill-column-indicator-mode
uses a typographic character to
draw its line. This has the downside of creating a dashed line. The
dashes are further apart depending on how tall the font's glyph height
is and what integer the line-spacing
is set to.
At the theme level we eliminate this effect by making the character one
pixel tall: the line is contiguous. Users who prefer the dashed line
are advised to change the fill-column-indicator
face, as explained
elsewhere in this document. For example:
(modus-themes-with-colors
(custom-set-faces
`(fill-column-indicator ((,class :foreground ,bg-active)))))
Face specs at scale using the themes' palette.
To make the line thicker, set the height to be equal to the base font
size instead of the one pixel we use. This is done by specifying a rate
instead of an absolute number, as in :height 1.0
versus :height 1
.
For example:
(modus-themes-with-colors
(custom-set-faces
`(fill-column-indicator ((,class :height 1.0 :background ,bg-inactive :foreground ,bg-inactive)))))
Note on highlight-parentheses.el
The highlight-parentheses
package provides contextual coloration of
surrounding parentheses, highlighting only those which are around the
point. The package expects users to customize the applicable colors on
their own by configuring certain variables.
To make the Modus themes work as expected with this, we need to use some of the techniques that are discussed at length in the various "Do-It-Yourself" (DIY) sections, which provide insight into the more advanced customization options of the themes.
In the following example, we are assuming that the user wants to (i)
reuse color variables provided by the themes, (ii) be able to retain
their tweaks while switching between modus-operandi
and modus-vivendi
,
and (iii) have the option to highlight either the foreground of the
parentheses or the background as well.
We start by defining our own variable, which will serve as a toggle between foreground and background coloration styles:
(defvar my-highlight-parentheses-use-background t
"Prefer `highlight-parentheses-background-colors'.")
Then we can update our preference with this:
;; Set to nil to disable backgrounds.
(setq my-highlight-parentheses-use-background nil)
To reuse colors from the themes, we must wrap our code in the
modus-themes-with-colors
macro. Our implementation must interface with
the variables highlight-parentheses-background-colors
and/or
highlight-parentheses-colors
.
So we can have something like this (the doc string of
modus-themes-with-colors
explains where the names of the colors can be
found):
(modus-themes-with-colors
;; Our preference for setting either background or foreground
;; styles, depending on `my-highlight-parentheses-use-background'.
(if my-highlight-parentheses-use-background
;; Here we set color combinations that involve both a background
;; and a foreground value.
(setq highlight-parentheses-background-colors (list cyan-refine-bg
magenta-refine-bg
green-refine-bg
yellow-refine-bg)
highlight-parentheses-colors (list cyan-refine-fg
magenta-refine-fg
green-refine-fg
yellow-refine-fg))
;; And here we pass only foreground colors while disabling any
;; backgrounds.
(setq highlight-parentheses-colors (list green-intense
magenta-intense
blue-intense
red-intense)
highlight-parentheses-background-colors nil)))
;; Include this if you also want to make the parentheses bold:
(set-face-attribute 'highlight-parentheses-highlight nil :inherit 'bold)
;; Our changes must be evaluated before enabling the relevant mode, so
;; this comes last.
(global-highlight-parentheses-mode 1)
For our changes to persist while switching between the Modus themes, we
need to include them in a function which can then get passed to
modus-themes-after-load-theme-hook
. This is the complete
implementation:
;; Configurations for `highlight-parentheses':
(require 'highlight-parentheses)
(defvar my-highlight-parentheses-use-background t
"Prefer `highlight-parentheses-background-colors'.")
(setq my-highlight-parentheses-use-background nil) ; Set to nil to disable backgrounds
(defun my-modus-themes-highlight-parentheses ()
(modus-themes-with-colors
;; Our preference for setting either background or foreground
;; styles, depending on `my-highlight-parentheses-use-background'.
(if my-highlight-parentheses-use-background
;; Here we set color combinations that involve both a background
;; and a foreground value.
(setq highlight-parentheses-background-colors (list cyan-refine-bg
magenta-refine-bg
green-refine-bg
yellow-refine-bg)
highlight-parentheses-colors (list cyan-refine-fg
magenta-refine-fg
green-refine-fg
yellow-refine-fg))
;; And here we pass only foreground colors while disabling any
;; backgrounds.
(setq highlight-parentheses-colors (list green-intense
magenta-intense
blue-intense
red-intense)
highlight-parentheses-background-colors nil)))
;; Include this if you also want to make the parentheses bold:
(set-face-attribute 'highlight-parentheses-highlight nil :inherit 'bold)
;; Our changes must be evaluated before enabling the relevant mode, so
;; this comes last.
(global-highlight-parentheses-mode 1))
(add-hook 'modus-themes-after-load-theme-hook #'my-modus-themes-highlight-parentheses)
As always, re-load the theme for changes to take effect.
Note on mmm-mode.el background colors
The faces used by
mmm-mode.el
are expected to have a colorful background, while they should not touch any foreground value. The idea is that they must not interfere with existing fontification. Those background colors need to be distinct from each other, such as an unambiguous red juxtaposed with a clear blue.While this design may be internally consistent with the raison d'être of that library, it inevitably produces inaccessible color combinations.
There are two competing goals at play:
- Legibility of the text, understood as the contrast ratio between the background and the foreground.
- Semantic precision of each face which entails faithfulness to color-coding of the underlying background.
As the Modus themes are designed with the express purpose of conforming with the first point, we have to forgo the apparent color-coding of the background elements. Instead we use subtle colors that do not undermine the legibility of the affected text while they still offer a sense of added context.
Users who might prefer to fall below the minimum 7:1 contrast ratio in relative luminance (the accessibility target we conform with), can opt to configure the relevant faces on their own.
Face specs at scale using the themes' palette.
This example uses more vivid background colors, though it comes at the very high cost of degraded legibility.
(modus-themes-with-colors
(custom-set-faces
`(mmm-cleanup-submode-face ((,class :background ,yellow-refine-bg)))
`(mmm-code-submode-face ((,class :background ,bg-active)))
`(mmm-comment-submode-face ((,class :background ,blue-refine-bg)))
`(mmm-declaration-submode-face ((,class :background ,cyan-refine-bg)))
`(mmm-default-submode-face ((,class :background ,bg-alt)))
`(mmm-init-submode-face ((,class :background ,magenta-refine-bg)))
`(mmm-output-submode-face ((,class :background ,red-refine-bg)))
`(mmm-special-submode-face ((,class :background ,green-refine-bg)))))
Note on prism.el
This package by Adam Porter, aka "alphapapa" or "github-alphapapa", implements an alternative to the typical coloration of code. Instead of highlighting the syntactic constructs, it applies color to different levels of depth in the code structure.
As
prism.el
offers a broad range of customizations, we cannot style it directly at the theme level: that would run contrary to the spirit of the package. Instead, we may offer preset color schemes. Those should offer a starting point for users to adapt to their needs.
In the following code snippets, we employ the modus-themes-with-colors
macro: Face specs at scale using the themes' palette.
These are the minimum recommended settings with 16 colors:
(setq prism-num-faces 16)
(prism-set-colors
:desaturations '(0) ; do not change---may lower the contrast ratio
:lightens '(0) ; same
:colors (modus-themes-with-colors
(list fg-main
magenta
cyan-alt-other
magenta-alt-other
blue
magenta-alt
cyan-alt
red-alt-other
green
fg-main
cyan
yellow
blue-alt
red-alt
green-alt-other
fg-special-warm)))
With 8 colors:
(setq prism-num-faces 8)
(prism-set-colors
:desaturations '(0) ; do not change---may lower the contrast ratio
:lightens '(0) ; same
:colors (modus-themes-with-colors
(list blue
magenta
magenta-alt-other
cyan-alt-other
fg-main
blue-alt
red-alt-other
cyan)))
And this is with 4 colors, which produces results that are the closest to the themes' default aesthetic:
(setq prism-num-faces 4)
(prism-set-colors
:desaturations '(0) ; do not change---may lower the contrast ratio
:lightens '(0) ; same
:colors (modus-themes-with-colors
(list blue
magenta
magenta-alt-other
green-alt)))
If you need to apply desaturation and lightening, you can use what the
prism.el
documentation recommends, like this (adapting to the examples with the 4, 8, 16 colors):(prism-set-colors
:desaturations (cl-loop for i from 0 below 16 collect (* i 2.5))
:lightens (cl-loop for i from 0 below 16 collect (* i 2.5))
:colors (modus-themes-with-colors
(list fg-main
cyan-alt-other
magenta-alt-other
magenta)))
Note on god-mode.el
The god-mode
library does not provide faces that could be configured by
the Modus themes. Users who would like to get some visual feedback on
the status of
M-x god-mode
are instead encouraged by upstream to set up their own configurations, such as by changing themode-line
face
(Advanced customization). This is an adaptation of the approach
followed in the upstream README:
(defun my-god-mode-update-mode-line ()
"Make `mode-line' blue if God local mode is active."
(modus-themes-with-colors
(if god-local-mode
(set-face-attribute 'mode-line nil
:foreground blue-active
:background bg-active-accent
:box blue)
(set-face-attribute 'mode-line nil
:foreground fg-active
:background bg-active
:box fg-alt))))
(add-hook 'post-command-hook 'my-god-mode-update-mode-line)
We employ the modus-themes-with-colors
which provides access to color
variables defined by the active theme. Its use is covered elsewhere in
this manual (Face specs at scale using the themes' palette). As for the
attributes that can be passed to each face, start by consulting the
documentation string of set-face-attribute
.
Note on company-mode overlay pop-up
By default, the company-mode
pop-up that lists completion candidates is
drawn using an overlay. This creates alignment issues every time it is
placed above a piece of text that has a different height than the
default.
The solution recommended by the project's maintainer is to use an alternative front-end for drawing the pop-up which draws child frames instead of overlays.[fn:: https://github.com/company-mode/company-mode/issues/1010][fn:: https://github.com/tumashu/company-posframe/]
Note on ERC escaped color sequences
The built-in IRC client erc
has the ability to colorize any text using
escape sequences that start with ^C
(inserted with
C-q C-c
) and are followed by a number for the foreground and background.[fn:: This page explains the basics, though it is not specific to Emacs: https://www.mirc.com/colors.html] Possible numbers are 0-15, with the first entry being the foreground and the second the background, separated by a comma. Like this^C1,6
. The minimum setup is this:
(add-to-list 'erc-modules 'irccontrols)
(setq erc-interpret-controls-p t
erc-interpret-mirc-color t)
As this allows users the chance to make arbitrary combinations, it is impossible to guarantee a consistently high contrast ratio. All we can we do is provide guidance on the combinations that satisfy the accessibility standard of the themes:
- Modus Operandi
- Use foreground color 1 for all backgrounds from
2-15. Like so:
C-q C-c1
whereN
is the background. - Modus Vivendi
- Use foreground color 0 for all backgrounds from
2-13. Use foreground
1
for backgrounds 14, 15.
Colors 0 and 1 are white and black respectively. So combine them together, if you must.
Note on powerline or spaceline
Both Powerline and Spaceline package users will likely need to use the
command powerline-reset
whenever they make changes to their themes
and/or mode line setup.
Note on SHR colors
Emacs' HTML rendering library (
shr.el
) may need explicit configuration to respect the theme's colors instead of whatever specifications the webpage provides.
Consult the doc string of shr-use-colors
.
Note on SHR fonts
By default, packages that build on top of the Simple HTML Remember (shr
)
use proportionately spaced fonts. This is controlled by the user option
shr-use-fonts
, which is set to non-nil
by default. To use the standard
font instead, set that variable to nil.
Font configurations for Org and others.
Packages affected by this are:
- elfeed
- ement
- eww
This is a non-exhaustive list.
Note on Ement colors and fonts
The ement.el
library by Adam Porter (also known as "alphapapa") defaults
to a method of colorizing usernames in a rainbow style. This is
controlled by the user option ement-room-prism
and can be disabled with:
(setq ement-room-prism nil)
The contrast ratio of these colors is governed by another user option:
ement-room-prism-minimum-contrast
. By default, it is set to 6 which is
slightly below our nominal target. Try this instead:
(setq ement-room-prism-minimum-contrast 7)
With regard to fonts, Ement depends on shr
(Note on SHR fonts).
Since we are here, here is an excerpt from Ement's source code:
(defcustom ement-room-prism-minimum-contrast 6
"Attempt to enforce this minimum contrast ratio for user faces.
This should be a reasonable number from, e.g. 0-7 or so."
;; Prot would almost approve of this default. :) I would go all the way
;; to 7, but 6 already significantly dilutes the colors in some cases.
:type 'number)
Yes, I do approve of that default. Even a 4.5 (the WCAG AA rating) would be a good baseline for many themes and/or user configurations. Our target is the highest of the sort, though we do not demand that everyone conforms with it.
Note on Helm grep
There is one face from the Helm package that is meant to highlight the
matches of a grep or grep-like command (ag
or ripgrep
). It is
helm-grep-match
. However, this face can only apply when the user does
not pass --color=always
as a command-line option for their command.
Here is the docstring for that face, which is defined in the
helm-grep.el
library (you can always visit the source code withM-x find-library
).Face used to highlight grep matches. Have no effect when grep backend use "–color="
The user must either remove --color
from the flags passed to the grep
function, or explicitly use --color=never
(or equivalent). Helm
provides user-facing customization options for controlling the grep
function's parameters, such as helm-grep-default-command
and
helm-grep-git-grep-command
.
When --color=always
is in effect, the grep output will use red text in
bold letter forms to present the matching part in the list of
candidates. That style still meets the contrast ratio target of >= 7:1
(accessibility standard WCAG AAA), because it draws the reference to
ANSI color number 1 (red) from the already-supported array of
ansi-color-names-vector
.
Note on pdf-tools link hints
Hints are drawn by ImageMagick, not Emacs, i.e., ImageMagick doesn't
know about the hint face unless you tell ImageMagick about it. By
default, only the foreground and background color attributes are
passed. The below snippet adds to those the various font attributes. As
it queries various faces, specifically pdf-links-read-link
and the faces
it inherits, it needs to be added to your initialization file after
you've customized any faces.
(use-package pdf-links
:config
(let ((spec
(apply #'append
(mapcar
(lambda (name)
(list name
(face-attribute 'pdf-links-read-link
name nil 'default)))
'(:family :width :weight :slant)))))
(setq pdf-links-read-link-convert-commands
`("-density" "96"
"-family" ,(plist-get spec :family)
"-stretch" ,(let* ((width (plist-get spec :width))
(name (symbol-name width)))
(replace-regexp-in-string "-" ""
(capitalize name)))
"-weight" ,(pcase (plist-get spec :weight)
('ultra-light "Thin")
('extra-light "ExtraLight")
('light "Light")
('semi-bold "SemiBold")
('bold "Bold")
('extra-bold "ExtraBold")
('ultra-bold "Black")
(_weight "Normal"))
"-style" ,(pcase (plist-get spec :slant)
('italic "Italic")
('oblique "Oblique")
(_slant "Normal"))
"-pointsize" "%P"
"-undercolor" "%f"
"-fill" "%b"
"-draw" "text %X,%Y '%c'"))))
Note on the Notmuch logo
By default, the "hello" buffer of Notmuch includes a header with the programs' logo and a couple of buttons. The logo has the effect of enlarging the height of the line, which negatively impacts the shape of those buttons. Disabling the logo fixes the problem:
(setq notmuch-show-logo nil)
Note on goto-address-mode faces
The built-in goto-address-mode
uses heuristics to identify URLs and
email addresses in the current buffer. It then applies a face to them
to change their style. Some packages, such as notmuch
, use this
minor-mode automatically.
The faces are not declared with defface
, meaning that it is better
that the theme does not modify them. The user is thus encouraged to
consider including (or equivalent) this in their setup:
(setq goto-address-url-face 'link
goto-address-url-mouse-face 'highlight
goto-address-mail-face 'link
goto-address-mail-mouse-face 'highlight)
My personal preference is to set goto-address-mail-face
to nil, as
it otherwise adds too much visual noise to the buffer (email addresses
stand out more, due to the use of the uncommon @
character but also
because they are often enclosed in angled brackets).
Frequently Asked Questions
In this section we provide answers related to some aspects of the Modus themes' design and application.
Is the contrast ratio about adjacent colors?
The minimum contrast ratio in relative luminance that the themes conform with always refers to any given combination of background and foreground colors. If we have some blue colored text next to a magenta one, both against a white background, we do not mean to imply that blue:magenta is 7:1 in terms of relative luminance. Rather, we state that blue:white and magenta:white each are 7:1 or higher.
The point of reference is always the background. Because colors have about the same minimum distance in luminance from their backdrop, they necessarily are fairly close to each other in this measure. A possible blue:magenta combination would naturally be around 1:1 in contrast of the sort here considered.
To differentiate between sequential colors, we rely on hueness by mapping contrasting hues to adjacent constructs, while avoiding exaggerations. A blue next to a magenta can be told apart regardless of their respective contrast ratio against their common background. Exceptions would be tiny characters in arguably not so realistic cases, such as two dots drawn side-by-side which for some reason would need to be colored differently. They would still be legible though, which is the primary objective of the Modus themes.
What does it mean to avoid exaggerations?
The Modus themes are designed with restraint, so that their default looks do not overdo it with the application of color.
This is the non-quantifiable aspect of the themes' design: the artistic part, if you will. There are a lot of cases where color can be used inconsiderately, without accounting for layout, typographic, or other properties of the presentation. For example, two headings with distinct markers, such as leading asterisks in Org buffers, do not have to have highly contrasting hues between them in order to be told apart: the added element of contrast in hueness does not contribute significantly more to the distinction between the headings than colors whose hues are relatively closer to each other in the color space.
Exaggerations can be hard to anticipate or identify. Multiple shades of blue and magenta in the same context may not seem optimal: one might think that it would be better to use highly contrasting hues to ensure that all colors stand out, such as by placing blue next to yellow, next to magenta, and green. That would, however, be a case of design for its own sake; a case where color is being applied without consideration of its end results in the given context. Too many contrasting hues in close proximity force an erratic rate to how the eye jumps from one piece of text to the next. Whereas multiple shades of, say, blue and magenta can suffice to tell things apart and avoid excess coloration: a harmonious rhythm.
Why are colors mostly variants of blue, magenta, cyan?
Due to the innate properties of color, some options are better than
others for the accessibility purposes of the themes, the stylistic
consistency between modus-operandi
and modus-vivendi
, and the avoidance
of exaggerations in design.
What does it mean to avoid exaggerations?
What we describe as color is a function of three distinct channels of
light: red, green, blue. In hexadecimal RGB notation, a color value is
read as three pairs of red, green, and blue light: #RRGGBB
. Of those
three, the most luminant is green, while the least luminant is blue.
The three basic colors represent each of the channels of light. They can be intermixed to give us six colors: red and green derive yellow, green and blue make cyan, red and blue turn into magenta.
We can test the luminance of each of those against white and black to
get a sense of how not all colors are equally good for accessibility
(white is #ffffff
, which means that all three light channels are fully
luminated, while black is #000000
meaning that no light is present
(notwithstanding display technology)).
| Name | | #ffffff | #000000 | |---------+---------+---------+---------| | red | #ff0000 | 4.00 | 5.25 | | yellow | #ffff00 | 1.07 | 19.56 | | green | #00ff00 | 1.37 | 15.30 | | cyan | #00ffff | 1.25 | 16.75 | | blue | #0000ff | 8.59 | 2.44 | | magenta | #ff00ff | 3.14 | 6.70 |
By reading this table we learn that every color that has a high level of green light (green, yellow, cyan) is virtually unreadable against a white background and, conversely, can be easily read against black.
We can then infer that red and blue, in different combinations, with green acting as calibrator for luminance, will give us fairly moderate colors that pass the 7:1 target. Blue with a bit of green produce appropriate variants of cyan. Similarly, blue combined with some red and hints of green give us suitable shades of purple.
Due to the need of maintaining some difference in hueness between adjacent colors, it is not possible to make red, green, and yellow the main colors, because blue cannot be used to control their luminance and, thus the relevant space will shrink considerably.
Is the contrast ratio about adjacent colors?
This phenomenon is best illustrated by the following table that measures the relative luminance of shades of red, yellow, magenta against white:
| | #ffffff | |---------+---------| | #990000 | 8.92 | | #995500 | 5.75 | | #990099 | 7.46 |
We notice that equal values of red and blue light in #990099
(magenta
shade) do not lead to a considerable change in luminance compared with
#990000
(red variant). Whereas less amount of green light in #995500
leads to a major drop in luminance relative to white. It follows that
using the green channel of light to calibrate the luminance of colors is
more effective than trying to do the same with either red or blue (the
latter is the least effective in that regard).
When we need to work with several colors, it is always better to have sufficient maneuvering space, especially since we cannot pick arbitrary colors but only those that satisfy the accessibility objectives of the themes.
As for why we do not mostly use green, yellow, cyan for the dark theme,
it is because those colors are far more luminant than their counterparts
on the other side of the spectrum, so to ensure that they all have about
the same contrast ratios we would have to alter their hueness
considerably. In short, the effect would not be optimal as it would
lead to exaggerations. Plus, it would make modus-vivendi
look
completely different than modus-operandi
, to the effect that the two
could not be properly considered part of the same project.
What is the best setup for legibility?
The Modus themes can be conceptually simplified as combinations of color values that account for relative luminance and inner harmony. Those qualities do not guarantee that every end-user will have the same experience, due to differences between people, but also because of variances in hardware capabilities and configurations. For the purposes of this document, we may only provide suggestions pertaining to the latter case.
modus-operandi
is best used outdoors or in a room that either gets
direct sunlight or has plenty of light. Whereas modus-vivendi
works
better when there is not a lot of sunshine or the room has a source of
light that is preferably a faint and/or warm one. It is possible to use
modus-operandi
at night and modus-vivendi
during the day, though that
will depend on several variables, such as one's overall perception of
color, the paint on the walls and how that contributes to the impression
of lightness in the room, the sense of space within the eye's peripheral
vision, hardware specifications, and environmental factors.
In general, an additional source of light other than that of the monitor can help reduce eye strain: the eyes are more relaxed when they do not have to focus on one point to gather light.
The monitor's display settings must be accounted for. Gamma values, in particular, need to be calibrated to neither amplify nor distort the perception of black. Same principle for sharpness, brightness, and contrast as determined by the hardware, which all have an effect on how text is read on the screen.
There are software level methods on offer, such as the XrandR utility for the X Window System (X.org), which can make gamma corrections for each of the three channels of light (red, green, blue). For example:
xrandr --output LVDS1 --brightness 1.0 --gamma 0.76:0.75:0.68
Typography is another variable. Some font families are blurry at small point sizes. Others may have a regular weight that is lighter (thinner) than that of their peers which may, under certain circumstances, cause a halo effect around each glyph.
The gist is that legibility cannot be fully solved at the theme level. The color combinations may have been optimized for accessibility, though the remaining contributing factors in each case need to be considered in full.
Are these color schemes?
No, the Modus themes are not color schemes.
A color scheme is a collection of colors. A good color scheme is a combination of colors with an inner logic or abstract structure.
A theme is a set of patterns that are applied across different contexts. A good theme is one that does so with consistency, though not uniformity.
In practical terms, a color scheme is what one uses when, for example, they edit the first sixteen escape sequences of a terminal emulator to the hues of their preference. The terminal offers the option to choose, say, the exact value of what counts as "red", but does not provide the means to control where that is mapped to and whether it should also have other qualities such as a bold weight for the underlying text or an added background color. In contradistinction, Emacs uses constructs known as "faces" which allow the user/developer to specify where a given color will be used and whether it should be accompanied by other typographic or stylistic attributes.
By configuring the multitude of faces on offer we thus control both which colors are applied and how they appear in their context. When a package wants to render each instance of "foo" with the "bar" face, it is not requesting a specific color, which makes things considerably more flexible as we can treat "bar" in its own right without necessarily having to use some color value that we hardcoded somewhere.
Which brings us to the distinction between consistency and uniformity where our goal is always the former: we want things to look similar across all interfaces, but we must never force a visual identity where that runs contrary to the functionality of the given interface. For instance, all links are underlined by default yet there are cases such as when viewing listings of emails in Gnus (and Mu4e, Notmuch) where (i) it is already understood that one must follow the indicator or headline to view its contents and (ii) underlining everything would make the interface virtually unusable.
Again, one must exercise judgment in order to avoid discrimination, where "discrimination" refers to:
- The treatment of substantially different magnitudes as if they were of the same class.
- Or the treatment of the same class of magnitudes as if they were of a different class.
(To treat similar things differently; to treat dissimilar things alike.)
If, in other words, one was to enforce uniformity without accounting for the particular requirements of each case—the contextual demands for usability beyond matters of color—they would be making a not-so-obvious error of treating different cases as if they were the same.
The Modus themes prioritize "thematic consistency" over abstract harmony or regularity among their applicable colors. In concrete terms, we do not claim that, say, our yellows are the best complements for our blues because we generally avoid using complementary colors side-by-side, so it is wrong to optimize for a decontextualised blue+yellow combination. Not to imply that our colors do not work well together because they do, just to clarify that consistency of context is what themes must strive for, and that requires widening the scope of the design beyond the particularities of a color scheme.
Long story short: color schemes and themes have different requirements. Please do not conflate the two.
Port the Modus themes to other platforms?
There is no plan to port the themes to other platforms or text editors. I (Protesilaos) only use GNU Emacs and thus cannot maintain code that targets software I am either not familiar with or am not using on a daily basis.
While it is possible to produce a simulacrum based on a given template, doing so would run contrary to how this project is maintained where details matter greatly.
Each program has its own requirements so it won't always be possible—or indeed desirable—to have 1:1 correspondence between what applies to Emacs and what should be done elsewhere. No port should ever strive to be a faithful copy of the Emacs implementation, as no other program is an Emacs equivalent, but instead try to follow the spirit of the design. For example, some of the customization options accept a list as their value, or an alist, which may not be possible to reproduce on other platforms.
In other words, if something must be done differently on a certain editor then that is acceptable so long as (i) the accessibility standards are not compromised and (ii) the overall character of the themes remains consistent.
The former criterion should be crystal clear as it pertains to the scientific foundations of the themes: high legibility and taking care of the needs of users with red-green color deficiency (deuteranopia) by avoiding red+green color coding paradigms and/or by providing red+blue variants.
The latter criterion is the "je ne sais quoi" of the artistic aspect of the themes, which is partially fleshed out in this manual.
With regard to the artistic aspect (where "art" qua skill may amount to an imprecise science), there is no hard-and-fast rule in effect as it requires one to exercise discretion and make decisions based on context-dependent information or constraints. As is true with most things in life, when in doubt, do not cling on to the letter of the law but try to understand its spirit.
For a trivial example: the curly underline that Emacs draws for spelling errors is thinner than, e.g., what a graphical web browser has, so if I was to design for an editor than has a thicker curly underline I would make the applicable colors less intense to counterbalance the typographic intensity of the added thickness.
With those granted, if anyone is willing to develop a port of the themes, they are welcome to contact me and I will do my best to help them in their efforts.
Contributing
This section documents the canonical sources of the themes and the ways in which you can contribute to their ongoing development.
Sources of the themes
The modus-operandi
and modus-vivendi
themes are built into Emacs 28.
The source code of the themes is available on SourceHut. Or check the GitLab mirror (former main source) and the GitHub mirror.
An HTML version of this manual is provided as an extension of the author's personal website (does not rely on any non-free code).
Issues you can help with
A few tasks you can help with by sending an email to the general
modus-themes public mailing list (or use the command
modus-themes-report-bug
).
- Suggest refinements to packages that are covered.
- Report packages not covered thus far.
- Report bugs, inconsistencies, shortcomings.
- Help expand the documentation of covered-but-not-styled packages.
- Suggest refinements to the color palette.
- Help expand this document or any other piece of documentation.
- Send patches for code refinements (if you need, ask me for help with Git—we all start out as beginners).
Patches require copyright assignment to the FSF.
It is preferable that your feedback includes some screenshots, GIFs, or short videos, as well as further instructions to reproduce a given setup. Though this is not a requirement.
Also consider mentioning the version of the themes you are using, such
as by invoking the command modus-themes-version
.
Whatever you do, bear in mind the overarching objective of the Modus themes: to keep a contrast ratio that is greater or equal to 7:1 between background and foreground colors. If a compromise is ever necessary between aesthetics and accessibility, it shall always be made in the interest of the latter.
Patches require copyright assignment to the FSF
Code contributions are most welcome. For any major edit (more than 15 lines, or so, in aggregate per person), you need to make a copyright assignment to the Free Software Foundation. This is necessary because the themes are part of the upstream Emacs distribution: the FSF must at all times be in a position to enforce the GNU General Public License.
Copyright assignment is a simple process. Check the request form below (please adapt it accordingly). You must write an email to the address mentioned in the form and then wait for the FSF to send you a legal agreement. Sign the document and file it back to them. This could all happen via email and take about a week. You are encouraged to go through this process. You only need to do it once. It will allow you to make contributions to Emacs in general.
Please email the following information to assign@gnu.org, and we will send you the assignment form for your past and future changes. Please use your full legal name (in ASCII characters) as the subject line of the message. REQUEST: SEND FORM FOR PAST AND FUTURE CHANGES [What is the name of the program or package you're contributing to?] GNU Emacs [Did you copy any files or text written by someone else in these changes? Even if that material is free software, we need to know about it.] Copied a few snippets from the same files I edited. Their author, Protesilaos Stavrou, has already assigned copyright to the Free Software Foundation. [Do you have an employer who might have a basis to claim to own your changes? Do you attend a school which might make such a claim?] [For the copyright registration, what country are you a citizen of?] [What year were you born?] [Please write your email address here.] [Please write your postal address here.] [Which files have you changed so far, and which new files have you written so far?]
Acknowledgements
The Modus themes are a collective effort. Every bit of work matters.
- Author/maintainer
- Protesilaos Stavrou.
- Contributions to code or documentation
- Alex Griffin, Anders
Johansson, Antonio Ruiz, Basil L.
@@texinfo:@:
Contovounesios, Björn Lindström, Carlo Zancanaro, Christian Tietze, Daniel Mendler, Eli Zaretskii, Fritz Grabo, Illia Ostapyshyn, Kévin Le Gouguec, Koen van Greevenbroek, Kostadin Ninev, Madhavan Krishnan, Manuel Giraud, Markus Beppler, Matthew Stevenson, Mauro Aranda, Nicolas De Jaeghere, Paul David, Philip Kaludercic, Pierre Téchoueyres, Rudolf Adamkovič, Stephen Gildea, Shreyas Ragavan, Stefan Kangas, Utkarsh Singh, Vincent Murphy, Xinglu Chen, Yuanchen Xie, okamsn. - Ideas and user feedback
- Aaron Jensen, Adam Porter, Adam Spiers,
Adrian Manea, Alex Griffin, Alex Koen, Alex Peitsinis, Alexey
Shmalko, Alok Singh, Anders Johansson, André Alexandre Gomes, Andrew
Tropin, Antonio Hernández Blas, Arif Rezai, Augusto Stoffel, Basil
L.
@@texinfo:@:
Contovounesios, Burgess Chang, Christian Tietze, Christopher Dimech, Christopher League, Damien Cassou, Daniel Mendler, Dario Gjorgjevski, David Edmondson, Davor Rotim, Divan Santana, Eliraz Kedmi, Emanuele Michele Alberto Monterosso, Farasha Euker, Feng Shu, Gautier Ponsinet, Gerry Agbobada, Gianluca Recchia, Gonçalo Marrafa, Guilherme Semente, Gustavo Barros, Hörmetjan Yiltiz, Ilja Kocken, Iris Garcia, Ivan Popovych, Jeremy Friesen, Jerry Zhang, Johannes Grødem, John Haman, Jonas Collberg, Jorge Morais, Joshua O'Connor, Julio C. Villasante, Kenta Usami, Kevin Fleming, Kévin Le Gouguec, Kevin Kainan Li, Kostadin Ninev, Len Trigg, Lennart C. Karssen, Luis Miguel Castañeda, Magne Hov, Manuel Uberti, Mark Bestley, Mark Burton, Mark Simpson, Markus Beppler, Matt Armstrong, Matthias Fuchs, Mauro Aranda, Maxime Tréca, Michael Goldenberg, Morgan Smith, Morgan Willcock, Murilo Pereira, Nicky van Foreest, Nicolas De Jaeghere, Pablo Stafforini, Paul Poloskov, Pengji Zhang, Pete Kazmier, Peter Wu, Philip Kaludercic, Pierre Téchoueyres, Przemysław Kryger, Robert Hepple, Roman Rudakov, Ryan Phillips, Rytis Paškauskas, Rudolf Adamkovič, Sam Kleinman, Samuel Culpepper, Saša Janiška, Shreyas Ragavan, Simon Pugnet, Tassilo Horn, Thibaut Verron, Thomas Heartman, Togan Muftuoglu, Tony Zorman, Trey Merkley, Tomasz Hołubowicz, Toon Claes, Uri Sharf, Utkarsh Singh, Vincent Foley. As well as users: Ben, CsBigDataHub1, Emacs Contrib, Eugene, Fourchaux, Fredrik, Moesasji, Nick, Summer Emacs, TheBlob42, Trey, bepolymathe, bit9tream, derek-upham, doolio, fleimgruber, gitrj95, iSeeU, jixiuf, okamsn, pRot0ta1p. - Packaging
- Basil L.
@@texinfo:@:
Contovounesios, Eli Zaretskii, Glenn Morris, Mauro Aranda, Richard Stallman, Stefan Kangas (core Emacs), Stefan Monnier (GNU Elpa), André Alexandre Gomes, Andrew Tropin, Dimakakos Dimos, Morgan Smith, Nicolas Goaziou (Guix), Dhavan Vaidya (Debian). - Inspiration for certain features
- Bozhidar Batsov (zenburn-theme), Fabrice Niessen (leuven-theme).
Special thanks (from A-Z) to Daniel Mendler, Gustavo Barros, Manuel Uberti, Nicolas De Jaeghere, and Omar Antolín Camarena for their long time contributions and insightful commentary on key aspects of the themes' design and/or aspects of their functionality.
All errors are my own.
Other notes about the project
If you are curious about the principles that govern the development of this project read the essay On the design of the Modus themes (2020-03-17).
Here are some more publications for those interested in the kind of work that goes into this project (sometimes the commits also include details of this sort):
- Modus Operandi theme subtle palette review (2020-05-10)
- Modus Vivendi theme subtle palette review (2020-06-13)
- Modus themes: new "faint syntax" option (2020-07-04)
- Modus themes: major review of "nuanced" colours (2020-07-08)
- Modus themes: review of blue colours (2020-09-14)
- Modus themes: review rainbow-delimiters faces (2020-12-27)
- Modus themes: review of select "faint" colours (2021-01-11)
- The Modus themes now cover deuteranopia in diffs (2021-02-25)
- Introducing the variable modus-themes-org-agenda (2021-06-02)
- Modus themes: review of the org-habit graph colours (2022-01-02)
- Re: VSCode or Vim ports of the Emacs modus-themes? (2022-01-03)
- Modus themes: case study on Avy faces and colour combinations (2022-04-20)
- Emacs: colour theory and techniques used in the Modus themes (2022-04-21)
And here are the canonical sources of this project:
- Manual
- <https://protesilaos.com/emacs/modus-themes>
- Change Log
- <https://protesilaos.com/emacs/modus-themes-changelog>
- Screenshots
- <https://protesilaos.com/emacs/modus-themes-pictures>
- Git repository
- https://git.sr.ht/~protesilaos/modus-themes
- Mailing list
- https://lists.sr.ht/~protesilaos/modus-themes
GNU Free Documentation License
GNU Free Documentation License Version 1.3, 3 November 2008 Copyright (C) 2000, 2001, 2002, 2007, 2008 Free Software Foundation, Inc. Everyone is permitted to copy and distribute verbatim copies of this license document, but changing it is not allowed. 0. PREAMBLE The purpose of this License is to make a manual, textbook, or other functional and useful document "free" in the sense of freedom: to assure everyone the effective freedom to copy and redistribute it, with or without modifying it, either commercially or noncommercially. Secondarily, this License preserves for the author and publisher a way to get credit for their work, while not being considered responsible for modifications made by others. This License is a kind of "copyleft", which means that derivative works of the document must themselves be free in the same sense. It complements the GNU General Public License, which is a copyleft license designed for free software. We have designed this License in order to use it for manuals for free software, because free software needs free documentation: a free program should come with manuals providing the same freedoms that the software does. But this License is not limited to software manuals; it can be used for any textual work, regardless of subject matter or whether it is published as a printed book. We recommend this License principally for works whose purpose is instruction or reference. 1. APPLICABILITY AND DEFINITIONS This License applies to any manual or other work, in any medium, that contains a notice placed by the copyright holder saying it can be distributed under the terms of this License. Such a notice grants a world-wide, royalty-free license, unlimited in duration, to use that work under the conditions stated herein. The "Document", below, refers to any such manual or work. Any member of the public is a licensee, and is addressed as "you". You accept the license if you copy, modify or distribute the work in a way requiring permission under copyright law. A "Modified Version" of the Document means any work containing the Document or a portion of it, either copied verbatim, or with modifications and/or translated into another language. A "Secondary Section" is a named appendix or a front-matter section of the Document that deals exclusively with the relationship of the publishers or authors of the Document to the Document's overall subject (or to related matters) and contains nothing that could fall directly within that overall subject. (Thus, if the Document is in part a textbook of mathematics, a Secondary Section may not explain any mathematics.) The relationship could be a matter of historical connection with the subject or with related matters, or of legal, commercial, philosophical, ethical or political position regarding them. The "Invariant Sections" are certain Secondary Sections whose titles are designated, as being those of Invariant Sections, in the notice that says that the Document is released under this License. If a section does not fit the above definition of Secondary then it is not allowed to be designated as Invariant. The Document may contain zero Invariant Sections. If the Document does not identify any Invariant Sections then there are none. The "Cover Texts" are certain short passages of text that are listed, as Front-Cover Texts or Back-Cover Texts, in the notice that says that the Document is released under this License. A Front-Cover Text may be at most 5 words, and a Back-Cover Text may be at most 25 words. A "Transparent" copy of the Document means a machine-readable copy, represented in a format whose specification is available to the general public, that is suitable for revising the document straightforwardly with generic text editors or (for images composed of pixels) generic paint programs or (for drawings) some widely available drawing editor, and that is suitable for input to text formatters or for automatic translation to a variety of formats suitable for input to text formatters. A copy made in an otherwise Transparent file format whose markup, or absence of markup, has been arranged to thwart or discourage subsequent modification by readers is not Transparent. An image format is not Transparent if used for any substantial amount of text. A copy that is not "Transparent" is called "Opaque". Examples of suitable formats for Transparent copies include plain ASCII without markup, Texinfo input format, LaTeX input format, SGML or XML using a publicly available DTD, and standard-conforming simple HTML, PostScript or PDF designed for human modification. Examples of transparent image formats include PNG, XCF and JPG. Opaque formats include proprietary formats that can be read and edited only by proprietary word processors, SGML or XML for which the DTD and/or processing tools are not generally available, and the machine-generated HTML, PostScript or PDF produced by some word processors for output purposes only. The "Title Page" means, for a printed book, the title page itself, plus such following pages as are needed to hold, legibly, the material this License requires to appear in the title page. For works in formats which do not have any title page as such, "Title Page" means the text near the most prominent appearance of the work's title, preceding the beginning of the body of the text. The "publisher" means any person or entity that distributes copies of the Document to the public. A section "Entitled XYZ" means a named subunit of the Document whose title either is precisely XYZ or contains XYZ in parentheses following text that translates XYZ in another language. (Here XYZ stands for a specific section name mentioned below, such as "Acknowledgements", "Dedications", "Endorsements", or "History".) To "Preserve the Title" of such a section when you modify the Document means that it remains a section "Entitled XYZ" according to this definition. The Document may include Warranty Disclaimers next to the notice which states that this License applies to the Document. These Warranty Disclaimers are considered to be included by reference in this License, but only as regards disclaiming warranties: any other implication that these Warranty Disclaimers may have is void and has no effect on the meaning of this License. 2. VERBATIM COPYING You may copy and distribute the Document in any medium, either commercially or noncommercially, provided that this License, the copyright notices, and the license notice saying this License applies to the Document are reproduced in all copies, and that you add no other conditions whatsoever to those of this License. You may not use technical measures to obstruct or control the reading or further copying of the copies you make or distribute. However, you may accept compensation in exchange for copies. If you distribute a large enough number of copies you must also follow the conditions in section 3. You may also lend copies, under the same conditions stated above, and you may publicly display copies. 3. COPYING IN QUANTITY If you publish printed copies (or copies in media that commonly have printed covers) of the Document, numbering more than 100, and the Document's license notice requires Cover Texts, you must enclose the copies in covers that carry, clearly and legibly, all these Cover Texts: Front-Cover Texts on the front cover, and Back-Cover Texts on the back cover. Both covers must also clearly and legibly identify you as the publisher of these copies. The front cover must present the full title with all words of the title equally prominent and visible. You may add other material on the covers in addition. Copying with changes limited to the covers, as long as they preserve the title of the Document and satisfy these conditions, can be treated as verbatim copying in other respects. If the required texts for either cover are too voluminous to fit legibly, you should put the first ones listed (as many as fit reasonably) on the actual cover, and continue the rest onto adjacent pages. If you publish or distribute Opaque copies of the Document numbering more than 100, you must either include a machine-readable Transparent copy along with each Opaque copy, or state in or with each Opaque copy a computer-network location from which the general network-using public has access to download using public-standard network protocols a complete Transparent copy of the Document, free of added material. If you use the latter option, you must take reasonably prudent steps, when you begin distribution of Opaque copies in quantity, to ensure that this Transparent copy will remain thus accessible at the stated location until at least one year after the last time you distribute an Opaque copy (directly or through your agents or retailers) of that edition to the public. It is requested, but not required, that you contact the authors of the Document well before redistributing any large number of copies, to give them a chance to provide you with an updated version of the Document. 4. MODIFICATIONS You may copy and distribute a Modified Version of the Document under the conditions of sections 2 and 3 above, provided that you release the Modified Version under precisely this License, with the Modified Version filling the role of the Document, thus licensing distribution and modification of the Modified Version to whoever possesses a copy of it. In addition, you must do these things in the Modified Version: A. Use in the Title Page (and on the covers, if any) a title distinct from that of the Document, and from those of previous versions (which should, if there were any, be listed in the History section of the Document). You may use the same title as a previous version if the original publisher of that version gives permission. B. List on the Title Page, as authors, one or more persons or entities responsible for authorship of the modifications in the Modified Version, together with at least five of the principal authors of the Document (all of its principal authors, if it has fewer than five), unless they release you from this requirement. C. State on the Title page the name of the publisher of the Modified Version, as the publisher. D. Preserve all the copyright notices of the Document. E. Add an appropriate copyright notice for your modifications adjacent to the other copyright notices. F. Include, immediately after the copyright notices, a license notice giving the public permission to use the Modified Version under the terms of this License, in the form shown in the Addendum below. G. Preserve in that license notice the full lists of Invariant Sections and required Cover Texts given in the Document's license notice. H. Include an unaltered copy of this License. I. Preserve the section Entitled "History", Preserve its Title, and add to it an item stating at least the title, year, new authors, and publisher of the Modified Version as given on the Title Page. If there is no section Entitled "History" in the Document, create one stating the title, year, authors, and publisher of the Document as given on its Title Page, then add an item describing the Modified Version as stated in the previous sentence. J. Preserve the network location, if any, given in the Document for public access to a Transparent copy of the Document, and likewise the network locations given in the Document for previous versions it was based on. These may be placed in the "History" section. You may omit a network location for a work that was published at least four years before the Document itself, or if the original publisher of the version it refers to gives permission. K. For any section Entitled "Acknowledgements" or "Dedications", Preserve the Title of the section, and preserve in the section all the substance and tone of each of the contributor acknowledgements and/or dedications given therein. L. Preserve all the Invariant Sections of the Document, unaltered in their text and in their titles. Section numbers or the equivalent are not considered part of the section titles. M. Delete any section Entitled "Endorsements". Such a section may not be included in the Modified Version. N. Do not retitle any existing section to be Entitled "Endorsements" or to conflict in title with any Invariant Section. O. Preserve any Warranty Disclaimers. If the Modified Version includes new front-matter sections or appendices that qualify as Secondary Sections and contain no material copied from the Document, you may at your option designate some or all of these sections as invariant. To do this, add their titles to the list of Invariant Sections in the Modified Version's license notice. These titles must be distinct from any other section titles. You may add a section Entitled "Endorsements", provided it contains nothing but endorsements of your Modified Version by various parties--for example, statements of peer review or that the text has been approved by an organization as the authoritative definition of a standard. You may add a passage of up to five words as a Front-Cover Text, and a passage of up to 25 words as a Back-Cover Text, to the end of the list of Cover Texts in the Modified Version. Only one passage of Front-Cover Text and one of Back-Cover Text may be added by (or through arrangements made by) any one entity. If the Document already includes a cover text for the same cover, previously added by you or by arrangement made by the same entity you are acting on behalf of, you may not add another; but you may replace the old one, on explicit permission from the previous publisher that added the old one. The author(s) and publisher(s) of the Document do not by this License give permission to use their names for publicity for or to assert or imply endorsement of any Modified Version. 5. COMBINING DOCUMENTS You may combine the Document with other documents released under this License, under the terms defined in section 4 above for modified versions, provided that you include in the combination all of the Invariant Sections of all of the original documents, unmodified, and list them all as Invariant Sections of your combined work in its license notice, and that you preserve all their Warranty Disclaimers. The combined work need only contain one copy of this License, and multiple identical Invariant Sections may be replaced with a single copy. If there are multiple Invariant Sections with the same name but different contents, make the title of each such section unique by adding at the end of it, in parentheses, the name of the original author or publisher of that section if known, or else a unique number. Make the same adjustment to the section titles in the list of Invariant Sections in the license notice of the combined work. In the combination, you must combine any sections Entitled "History" in the various original documents, forming one section Entitled "History"; likewise combine any sections Entitled "Acknowledgements", and any sections Entitled "Dedications". You must delete all sections Entitled "Endorsements". 6. COLLECTIONS OF DOCUMENTS You may make a collection consisting of the Document and other documents released under this License, and replace the individual copies of this License in the various documents with a single copy that is included in the collection, provided that you follow the rules of this License for verbatim copying of each of the documents in all other respects. You may extract a single document from such a collection, and distribute it individually under this License, provided you insert a copy of this License into the extracted document, and follow this License in all other respects regarding verbatim copying of that document. 7. AGGREGATION WITH INDEPENDENT WORKS A compilation of the Document or its derivatives with other separate and independent documents or works, in or on a volume of a storage or distribution medium, is called an "aggregate" if the copyright resulting from the compilation is not used to limit the legal rights of the compilation's users beyond what the individual works permit. When the Document is included in an aggregate, this License does not apply to the other works in the aggregate which are not themselves derivative works of the Document. If the Cover Text requirement of section 3 is applicable to these copies of the Document, then if the Document is less than one half of the entire aggregate, the Document's Cover Texts may be placed on covers that bracket the Document within the aggregate, or the electronic equivalent of covers if the Document is in electronic form. Otherwise they must appear on printed covers that bracket the whole aggregate. 8. TRANSLATION Translation is considered a kind of modification, so you may distribute translations of the Document under the terms of section 4. Replacing Invariant Sections with translations requires special permission from their copyright holders, but you may include translations of some or all Invariant Sections in addition to the original versions of these Invariant Sections. You may include a translation of this License, and all the license notices in the Document, and any Warranty Disclaimers, provided that you also include the original English version of this License and the original versions of those notices and disclaimers. In case of a disagreement between the translation and the original version of this License or a notice or disclaimer, the original version will prevail. If a section in the Document is Entitled "Acknowledgements", "Dedications", or "History", the requirement (section 4) to Preserve its Title (section 1) will typically require changing the actual title. 9. TERMINATION You may not copy, modify, sublicense, or distribute the Document except as expressly provided under this License. Any attempt otherwise to copy, modify, sublicense, or distribute it is void, and will automatically terminate your rights under this License. However, if you cease all violation of this License, then your license from a particular copyright holder is reinstated (a) provisionally, unless and until the copyright holder explicitly and finally terminates your license, and (b) permanently, if the copyright holder fails to notify you of the violation by some reasonable means prior to 60 days after the cessation. Moreover, your license from a particular copyright holder is reinstated permanently if the copyright holder notifies you of the violation by some reasonable means, this is the first time you have received notice of violation of this License (for any work) from that copyright holder, and you cure the violation prior to 30 days after your receipt of the notice. Termination of your rights under this section does not terminate the licenses of parties who have received copies or rights from you under this License. If your rights have been terminated and not permanently reinstated, receipt of a copy of some or all of the same material does not give you any rights to use it. 10. FUTURE REVISIONS OF THIS LICENSE The Free Software Foundation may publish new, revised versions of the GNU Free Documentation License from time to time. Such new versions will be similar in spirit to the present version, but may differ in detail to address new problems or concerns. See https://www.gnu.org/licenses/. Each version of the License is given a distinguishing version number. If the Document specifies that a particular numbered version of this License "or any later version" applies to it, you have the option of following the terms and conditions either of that specified version or of any later version that has been published (not as a draft) by the Free Software Foundation. If the Document does not specify a version number of this License, you may choose any version ever published (not as a draft) by the Free Software Foundation. If the Document specifies that a proxy can decide which future versions of this License can be used, that proxy's public statement of acceptance of a version permanently authorizes you to choose that version for the Document. 11. RELICENSING "Massive Multiauthor Collaboration Site" (or "MMC Site") means any World Wide Web server that publishes copyrightable works and also provides prominent facilities for anybody to edit those works. A public wiki that anybody can edit is an example of such a server. A "Massive Multiauthor Collaboration" (or "MMC") contained in the site means any set of copyrightable works thus published on the MMC site. "CC-BY-SA" means the Creative Commons Attribution-Share Alike 3.0 license published by Creative Commons Corporation, a not-for-profit corporation with a principal place of business in San Francisco, California, as well as future copyleft versions of that license published by that same organization. "Incorporate" means to publish or republish a Document, in whole or in part, as part of another Document. An MMC is "eligible for relicensing" if it is licensed under this License, and if all works that were first published under this License somewhere other than this MMC, and subsequently incorporated in whole or in part into the MMC, (1) had no cover texts or invariant sections, and (2) were thus incorporated prior to November 1, 2008. The operator of an MMC Site may republish an MMC contained in the site under CC-BY-SA on the same site at any time before August 1, 2009, provided the MMC is eligible for relicensing. ADDENDUM: How to use this License for your documents To use this License in a document you have written, include a copy of the License in the document and put the following copyright and license notices just after the title page: Copyright (c) YEAR YOUR NAME. Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.3 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License". If you have Invariant Sections, Front-Cover Texts and Back-Cover Texts, replace the "with...Texts." line with this: with the Invariant Sections being LIST THEIR TITLES, with the Front-Cover Texts being LIST, and with the Back-Cover Texts being LIST. If you have Invariant Sections without Cover Texts, or some other combination of the three, merge those two alternatives to suit the situation. If your document contains nontrivial examples of program code, we recommend releasing these examples in parallel under your choice of free software license, such as the GNU General Public License, to permit their use in free software.